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唐代地理岳渎诗研究

Research on Geological Yuedu Poems of Tang

【作者】 全崴

【导师】 沈文凡;

【作者基本信息】 吉林大学 , 中国古代文学, 2014, 博士

【摘要】 本文所述地理岳渎诗,结合了中国古代文献关于“地理”和“岳渎”的概念,同时参照《龟磵诗话》中“地理岳渎”条目所涵盖的内容,概指诗人从特定的地理环境出发,以地理景观为主要描摹抒写对象的诗歌。本文以唐代地理岳渎诗为研究对象,应用古典文学研究的传统方法,并借鉴了历史地理学、文化地理学等学科的相关理论,重点考察了唐代著名山岳水渎景观诗歌的创作情况及其与地域的关系。论文分绪论、正文和余论三部分。绪论部分对“地理岳渎”之名进行了追根溯源,并对地理岳渎诗进行了界定。同时对中国近代以来,历史、地理、哲学、文学等各个学科领域的学者对于地理岳渎诗相关范畴的研究进行了回顾,从宏观论述与个案研究两个角度对相关研究进行了梳理。正文共分五章,分别论述了唐代山岳水渎及其它自然地理景观诗歌的创作,阐述了唐代地理岳渎诗的艺术特征以及美学价值、地理认知与传播价值。各章内容大略如下。第一章,主要从两方面对唐代地理岳渎诗进行了概述。一方面是唐代地理岳渎诗的创作背景。唐代地理岳渎诗的创作与唐代水陆交通的便利、漫游风气的兴盛和隐逸之风的盛行是密切相关的。另一方面是唐代地理岳渎诗的整体创作情况。主要论述了唐时著名的山岳水渎诗歌及其他自然地理景观诗歌的创作概况。第二章,主要论述了唐代山岳诗歌的创作。庐山文化积淀深厚、道教盛行、文化活动繁盛等地域特征缔造了庐山地理诗歌的繁荣;嵩山的政治文化活动是唐代嵩山诗歌兴盛的主要原因,除了泛咏嵩山之作以外,嵩山的太室山、少室山、少林寺、嵩阳观等都成为诗歌主要描绘的胜迹景观。此外,还梳理了衡山、九华山、泰山的地理景观诗歌创作及其与地域文化的关系。第三章,主要着眼于唐代水渎诗歌创作的论述。以唐代著名水渎景观的写实性描述的作品为研究对象,分别梳理和分析了长江三峡、洞庭湖、西湖、黄河等水渎景观的地理环境特征以及诗歌创作情况。第四章,对唐代其他重要的地理景观诗创作进行了论述。将以渼陂为代表的陂泽景观诗、以望夫石和太湖石为代表的岩石景观诗和沙碛景观诗作为主要研究对象,分析了这些诗歌的创作特征。第五章,主要探讨了唐代地理岳渎诗的艺术特征及美学价值。从唐代地理岳渎诗创作中分析了诗歌的地理景观美学特征、内容描写特征、意象组合特征,并阐述了诗歌的美学价值。余论部分主要探讨了唐代地理岳渎诗对唐代地理认知与传播的影响。

【Abstract】 Geological Yuedu poems of this thesis, which combine the concepts of geograpyand Yuedu in ancient Chinese documents, are based on content of Gui Jian Poetry. Itrefers to poets who starts with particular geographical situation and depicts mainlygeographical scenery. This thesis studies geographical poems mainly employingclassical studying method of literature and drawing on the theory of historicalgeography, cultural geography and other related discipline, and emphasis on itscreation of the famous Tang Dynasty landscape poetry and its relation to thegeographical location.The paper consists of introduction, body and supplementary part. Theintroduction part traces the “Geographical Yuedu” and defines Geographical Yuedu. Itreviews the Chinese modern history, geography, philosophy, literature and otherdisciplines for the study of geography scholars in the field of Yuedu poems, andcarries out the studies from the perspectives of macro and case studies.The body part is divided into five chapters, discussing the famous Tang DynastyYuedu and the poem creation of other natural landscapes. It also discusses artisticfeatures, elaborating Tang Dynasty geographic Yuedu poetry and aesthetic value,geographical awareness and spread value. Each chapter as follows.Chapter1, it mainly outlines two areas of the Tang Dynasty geographic poems.On the one hand, it describes a creative background of Tang Dynasty geographicYuedu poems. Creation of Tang Dynasty Yuedu poem has a quite close relationshipwith the transportation convenience, roaming prosperity and the popularity of hermits.On the other hand, it discusses the whole creation of the Tang Dynasty Yuedu poems.It overviews the creation situation of the famous Tang Dynasty. It includes landscapeand other natural geographical landscape poems.Chapter2, mainly demonstrates the poems for mountains and hills from TangDynasty. There are some regional characteristics created the boom of geographicpoems of Mount Lu, such as deeply rooted Mount Lu culture, great popularity ofTaoism and the prosperity of cultural acitivities. The political and cultural activities ofMount Song prospered the Mount Song poetry of Tang Dynasty. In spite of thosesuperficially commenting works, the Mount Taishi, Mount Shaoshi, Shaolin Temple and Song yang Abby from Mount Song had all become famous portraying objects.Besides, it also illustrates the relations between the geographic poems writing, as forMount Heng, Mount Jiuhua and Mount Tai, and the local cultures.Chapter3, mainly focuses on the narration about the creation of Tang’s Shuidupoems. The famous Tang dynasty landscape realistic description works are used as theresearch objects, and the geographical landscape features of Changjiang Three Gorges,Dongting Lake, West Lake and the Yellow Rive and poetry creation circumstances arewell grouped and analyzed.Chapter4, other important poems of Tang Dynasty about geographical landscapeare discussed. We regard Mei Po poems represented by landscape poems and poemsof rock landscape represented by Wangfu Stone and Taihu Stone as main studyingobjects. It also analyses the creative features of these poems.Chapter5, this chapter discusses artistic features and values of aesthetics ofgeographical Yuedu poems in Tang Dynasty. From creative analysis of these poems,we discuss artistic feature of geographical landscape, narrative feature, and imaginaryfeature and also depict artistic value, geographical recognition and spreading value ofaesthetics.The supplementary part mainly focuses on the influence of geographical Yuedupoems in Tang Dynasty on geographical cognition and dissemination in TangDynasty.

  • 【网络出版投稿人】 吉林大学
  • 【网络出版年期】2014年 12期
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