【作者】 楼培；

【导师】 沈松勤；

【作者基本信息】 浙江大学 ， 中国古代文学， 2013， 博士

【摘要】 宋初文学上承唐末五代衰飒文风,下启熙宁至元祐的文学高峰,属于唐宋之间一个较受冷落的文学史阶段,但又是考察研讨唐宋文学转变和宋代政治、学术、文学走向不能绕开的历史时期。在唐末五代以至宋初的政治文化格局中,这一时期形成了南北两大文学群体,基本涵盖了宋初近百年的文人士大夫阶层,对宋代政治、学术、文学的演进产生了巨大而深远的影响。宋代士大夫大多集官僚、学者、文人三种身份于一体,但相对而言,北方士人重道轻文,南方士人尚文重艺,具有不同的人文品格。在北宋大一统政权建设中,南北双方既有矛盾和冲突,也有协作和融合,既体现在政事上,也反映到学术、文学中。北方文学群体有数支队伍形成文人圈子,颇具道统、文统意识,南方文学群体也代代相传,有主盟斯文的意识和人物。本文尝试揭示宋初南北南大文学群体的形成和文学演进历程,对当时的文人和文学作出适当的叙述和评论。正文共分六章。第一章为总论,论述唐末五代以来的政治文化格局及其影响下宋初南北两大文学群体的构成,在宋初崇文驭武政策下文人士大夫的地位逐渐提高,士风与文风得到改变,北方相继形成以柳开、穆修、石介为首的文学群体,提倡古道,创作古文,入宋南士相继形成以徐铉、杨亿、晏殊、欧阳修为首的文学群体,尚文重艺,推进南文北移,促成南北融合。第二章以丁谓为例,分析宋初政治文化格局下南方士人逐渐崛起的历史演变,非仅为丁谓翻案,更重在探讨宋初南北士大夫的不同处境和作为,作同情之了解,从而更好地理解当时政治、文学的发展。第三章论述南文北移在官方取得巨大成功的西昆体,分析西昆体作家群如何形成、昆体文学如何兴起及其与政治之关联、昆体文学与北宋诗文革新运动的相互关系。第四章探讨宋朝立国后的七、八十年间词坛萧条寥落的原因,指出随着北宋大一统政权深入运行,南方文人士大夫的政治地位逐渐提高,歌妓歌舞佐酒的社会风气日趋盛行,作为南方人擅长的文学的词经过柳永、张先、晏殊、欧阳修等词人先后由南入北,从南方送至北方,取得“南词”北进的重大进展,开创宋词一代新风。第五章论述了北宋洛阳文人集团在北方民间推进南文北移,促进南北融合,在这一过程中既有斗争对抗,也有相互砥砺合作。第六章分析了北方文派险怪文风的极端即太学体的产生历程,又揭示了作为新一代文坛领袖的欧阳修之文学理念和创作道路,论述了欧阳修排抑太学体的功绩和意义。更多还原

【Abstract】 The literature of the early Song Dynasty inherited the literary style of the Five Dynasties’, and also opened up the literary climax from Xining to Yuanyou of Song Shenzong Emperor’s Dynasty. It belongs to a deserted literary history stages between the Tang and Song Dynasty, but also an important historical period that can not be bypassed when we examine the political changes and observe the academic, literary trend of the early Song Dynasty. In the pattern of political culture from the Five Dynasties to early Song Dynasty, this period formed two large literary groups, covering nearly a century Song literati class, on the Song of political, academic, literary evolution produced a huge and far-reaching effects.As known to all, the literati of Song Dynasty mostly have officers, scholars, authors, these three roles in one body, but relatively speaking, the northern literati pay more attention to "Dao"(道) and despise the literature, the South literati pay more attention to the art of literature, they have different cultural characters. In the Northern Song Dynasty’s unified country construction, both north and south sides of literati have contradictions and conflicts, but also have collaboration and integration, in fact, both reflected in the conduct of public affairs, also reflected in the academic and literature. Northern literary group formed several teams literary groups, quite orthodoxy, had system awareness. Southern Literature groups also from generation to generation, there is the main Union gentle awareness and character. This paper attempts to reveal the two literary formation of groups, then make appropriate narrative and comments on these officers, scholars and literary.The paper is divided into six chapters. The first chapter is General, discussing the consists of the North and South literati groups which under the influence of the political culture since the Five Dynasties to the policy of raising culture and reducing military in early Song Dynasty. At this time, the status of literati gradually increased to get a new stage. In the North, there formed a literature group which the leader from Liu Kai, Mu Xiu to Shi Jie, they advocated orthodoxy, creatived prose. The South literati formed literary groups which successively led by Xu Xuan, Yang Yi, Yan Shu and Ouyang Xiu, they promoted the Southern literature to North, contributed to the integration with south and north. The second chapter analysed the case of Ding Wei, revealing that in the political and cultural situation of early Song Dynasty, the literati from south and north had different acts and affairs. Southern literati gradually improved their situations and made rise of the historical evolution. It will make us better to understand the political, literary and scholarship development in that time. The third chapter discusses the great success of Southern literati when in Song Zhenzong Emperor’s Dynasty, they created Kunti(昆体)literature which adapted to the develop of the construction in that time. They formed a new literary group, had huge contribution to the Prose Movement(古文运动)The fourth chapter discusses that as the Northern Song Dynasty unified regime runs deeper, the southern literati’s political status gradually improved, the social atmosphere of geisha girls sing and dance in banquet increasingly more popular. Ci-poems as the Southerners literature, the cultural ecology is mature day after day. After nearly a century of conservation, up to Renzong’s Dynasty, the new tune widely disseminated in Bianjing Jin. Liu Yong, Zhang Xian, Yan Shu and Ouyang Xiu’s ci-poems successively developed from South to North, prompted the "South ci-poems " a significant progress into North, so Bianjing followed the West Sichuan’s capital Chengdu and Southern Tang’s capital Jinling, becoming the altar center of ci-poems which made the continuity and integration of North and South, and creating a new Song ci-poems style. Chapter five discusses the Luoyang literati group’s formation of North Song Dynasty is an important stage of the literature from south went to north and north-south integration at the early period of Song Dynasty. This group led by south scholars and many north scholars joined in, launched a large-scale literary creation and dissemination activities in North China, embodied the literature’s confluence and new changes from north and south. At the same time, it injected new elements and blood to the literary reform movement, opening the transformation from Tang poetry to Song poetry, and the creation of Song prose’s simple and natural, comfortable and soft characteristics. In the civil literature conflict and contradiction, Ou Yangxiu critically inherit the excellent traditional integration of both the north and the south literature, combining the literary world, mixing the literature and Tao(道),have the great achievements recognized by each other. He points out the clear direction and set the benchmark for the ancient prose movement.Luoyang literati group’s conflict and the blend factor has profound influence on the evolution of the early literature of Song Dynasty, wrote literary and cultural history of a thick and heavy in colours. Chapter six analyzes the text named Taixue Style(太学体)which has much relationship with northern literati groups. Ouyang Xiu from South knocked it down and established the new atmosphere in literary.更多还原