【作者】 刘鹏跃；

【导师】 梅洪元；

【作者基本信息】 哈尔滨工业大学 ， 建筑设计及其理论， 2014， 博士

【摘要】 改革开放以来，中国建筑创作步入了其当代史段并经历了快步的发展，21世纪以后，这种发展更加呈现出突飞猛进的态势，这既继承了近代以来中国建筑创作的发展成就，也得益于其与前迥异的先进的现代化语义与鲜明的全球化语境。对这种发展现象进行研读，认清发展的本质，掌握发展的规律，将对把控未来的中国建筑创作向着健康、有序的方向发展起到十分重要的作用。任何事物的发展都必然有与之对应的动力，动力是发展的因，发展是动力的果，与此相应，当代中国的建筑创作，作为一个复杂的过程，其发展也必然是受到一个或多个动力影响的结果，本论文研究的目的就在于解构当代中国建筑创作的多元发展，解析当代中国建筑创作多元发展背后的多维动力。本论文共分6章，作为论文研究的理论基础，笔者在第1章首先对“当代中国”、“建筑创作”与“发展动力”几个核心概念进行了界定；继而将当代中国建筑创作的多元发展解构为“创作客体”、“创作主体”、“创作语言”与“创作取向”的四元发展；并将当代中国建筑创作发展的多维动力解析为“客体动力”、“主体动力”、“语言动力”与“取向动力”的四维动力；进而将这一四维力系的特性解读为“整体性”、“结构性”、“有序性”与“开放性”。与理论基础研究并行，笔者在第2章梳理了期段化呈现的当代中国建筑创作发展动因，具体体现在“社会转型期的思辨与求索（1978-1990）”、“接轨国际中的调适与扬弃（1990-2000）”与“全球浪潮下的繁荣与探新（2000-现今）”三个期段中。建筑创作客体的发展是当代中国建筑创作发展的客体动力，在第3章里，笔者将其当代发展成就提炼为“建筑本质的深度追溯”、“建筑内涵的广义延伸”、“建筑功能的演化拓展”与“建筑形式的流转嬗变”四个方面。建筑创作主体的发展是当代中国建筑创作发展的主体动力，在第4章里，笔者将其当代发展成就提炼为“建筑师行业构成的多元”、“建筑师业务范围的延展”、“建筑师能力素养的提升”与“建筑师代届梯队的更替”四个方面。建筑创作语言的发展是当代中国建筑创作发展的语言动力，在第5章里，笔者将其当代发展成就提炼为“结构语言的不懈创新”、“材料语言的不竭前行”、“设备语言的不止演进”与“数字语言的不断突破”四个方面。建筑创作取向的发展是当代中国建筑创作发展的取向动力，在第6章里，笔者将其当代发展成就提炼为“面对传统的继承性取向”、“面对地域的地域性取向”、“面对时代的现代性取向”与“面对发展的永续性取向”四个方面。综上所述，本论文在“建筑创作的四元解构”、“发展动力的四维解析”、与“四维力系的特性解读”基础上，梳理了期段化呈现的当代中国建筑创作发展动因，并综合运用文献法、调查法、比较法、定性与定量分析法等多种科学研究方法，对当代中国建筑创作的“四元发展”及其发展背后的“四维动力”进行了系统的研究并得出了相应的结论，其在理论性与现实性两个方面都具有鲜明的学科意义。更多还原

【Abstract】 Chinese architectural creation enters its contemporary era and developesrapidly after the Reform and Opening-Up, and the development becomes morefaster since the21stcentury. This kind of development on one hand inherites theachievements gained in mordern era of Chinese architectural creation, on the otherhand, it benefites from the mordernization direction and the globalization situationthat are quite different from before. Doing research on the phenomena as well as theessences and the regularities of the development, is significant in controlling thefuture direction of Chinese architectural creation healthily and orderly.There must be some corresponding power when something develops, so powerand development are of the cause-and-effect relationship. Accordingly, thedevelopment of architectural creation in contemporary China, as a complex process,must be the result of some power. The research purpose of the dissertation is just todeconstruct the multi-elemental development and to interprete the multi-dimensional development power of architectural creation in contemporary China.The dissertation has6chapters, and in chapter1, to make it theoretical basic,the author first defines the following concepts:“Contemporary China”,“Architectural creation” and “Development power”; Then, the author deconstructsthe multi-elemental development of architectural creation in contemporary China asthe development of “Creation object”,“Creation subject”,“Creation language” and“Creation orientation”; And then, the author interpretes the multi-dimensionaldevelopment power of architectural creation in contemporary China as “Objectpower”,“Subject power”,“Language power” and “Orientation power”; Finally, theauthor summarizes the features of the four-dimension power system as “Integrality”,“Structural”,“Ordering” and “Openness”.Parallel with chapter1, in chapter2, the author summarizes sub-periodspresented development inducement of architecture creation in contemporary China,and the sub-periods are:“Speculation and seeking in the social transformation stage(1978-1990)”,“Adaptation and sublation in the international integration stage(1990-2000)”, and “Prosperity and exploration in the global wave stage (2000-present)”. The development of architectural creation object is the object power of thedevelopment of architectural creation in contemporary China, and in chapter3, theauthor summarizes it as:“In-Depth excavation of architectural essences”,“Broadextension of architectural connotations”,“Successive evolution of architecturalfunctions” and “Frequent transmutation of architectural forms”.The development of architectural creation subject is the subject power of thedevelopment of architectural creation in contemporary China, and in chapter4, theauthor summarizes it as:“Multiplicity of architects’ industrial constitution”,“Extension of architects’ business scope”,“Improvement of architects’ capabilityand quality” and “Replacement of architects’ generation and echelon”.The development of architectural creation language is the language power ofthe development of architectural creation in contemporary China, and in chapter5,the author summarizes it as:“Unremitting innovation of structural language”,“Inexhaustible advance of material language”,“Ceaseless evolution of equipmentlanguage” and “Continuous breakthrough of digital language”.The development of architectural creation orientation is the orientation powerof the development of architectural creation in contemporary China, and in chapter6, the author summarizes it as:“Inheritance orientation to face tradition”,“Regionality orientation to face region”,“Modernity orientation to face era” and“Sustainability orientation to face development”.In conclusion, based on “Four-Element deconstruction of architecturalcreation”,“Four-Dimension interpretation of the development power” and“Features summarization of the four-dimension power system”, the dissertationsummarizes sub-periods presented development inducement of architecture creationin contemporary China, and systematically fulfills the research on the “Four-Elemental development” and the “Four-Dimensional development power” ofarchitectural creation in contemporary China with conclusions, using scientificresearch methods such as “Literature method”,“Investigation method”,“Comparison method” and “Qualitative and quantitative analysis method”comprehensively. The dissertation has obviously academic significance on boththeoretical and practical sides.更多还原