【作者】 冯琳；

【导师】 宋昆；

【作者基本信息】 天津大学 ， 建筑设计及其理论， 2013， 博士

【摘要】 本文面对近现代以来，建筑学经历科学理性与图像化危机后，回归建筑本源的诉求，重新审视人与建筑之间深层的内在关联。透过知觉现象学有关“身体主体”的哲学阐释，确立人的身体对于建筑直接感受、体验和经历的重要意义。本文由质料、空间、秩序三个方面对建筑的发展和当代转向进行考察，由知觉、运动、行为三个层面对建筑中的身体主体进行阐释，对哲学及其他学科语境下“在场”概念的双重释义进行辨析，在此基础上，揭示人与建筑之间无蔽、互动的“在场”关系。与此同时，引入知觉现象学有关“现象场”的哲学阐释，考察建筑质料与身体知觉、建筑空间与身体运动、建筑秩序与身体行为之间的内在关联，创造性地提出建筑“知觉场”、“运动场”、“行为场”的概念。本文诠释了知觉现象学中身体知觉、运动、行为的多维度内涵，回顾了建筑学中质料与知觉、空间与运动、秩序与行为的相关理论。在此基础上，通过对“知觉场”中的知觉体验、综合知觉、知觉意识进行阐释，对“运动场”中的动态路径、多重视线、时间意象进行探讨，对“行为场”中的重力、压力与动力体验进行解读，揭示重返“建筑-身体”在场的本源意义。在上述研究的基础上，本文一方面，以“在场”的视角考察中国古典园林的质料经营、时空互释和循环秩序，以发掘其对于当代建筑创作的启示。另一方面，揭示“在场”的特性——“弱质”、“绵延”、“具身”，旨在为当代建筑理论中有关物质、时间和意义的思考提供启示，并在此基础上，为建筑实践提供现实指导，指出应从人最初且最为根本的在场体验出发，注重建筑氛围的营造，强化建筑路径的设计，展开围绕身体的叙事。此外，就现象学与建筑的对话发展进行展望，探讨了现象学文学、现象学描述与现象学方法在建筑中的应用和前景。更多还原

【Abstract】 The dissertation re-examines the deep inner relationship between people andarchitecture responding to the demands of returning to the essence of architectures inarchitecture after the crisis of sciences and images since modern times. Through thephilosophy interpretation of “body” in phenomenology of perception, the significanceof body’s direct experience in architecture is established.The dissertation investigates the development and the contemporary turns ofarchitecture from material, space and order, and interprets the body in architecturefrom perception, movement and behavior, and discriminates the concepts of“presence” and “in field” in the contexts of philosophy and other disciplines, on thesebases, the relationships of aletheia and interaction between people and architecture arerevealed. At the same time, the philosophy interpretation of “Phenomenal Field” inphenomenology of perception is introduced to investigate the inner relationshipsbetween the architectural materials and body’s perception, the architectural spaces andbody’s movement, the architectural orders and body’s behavior, and then the conceptof “Perception Field”,“Movement Field” and “Behavior Field” are presentedinitiatively.The dissertation interprets the meanings of body’s perception, movement andbehavior in phenomenology of perception from multiple dimensions, reviews thearchitectural theories about the materials and perception, the spaces and movement,the orders and behavior. On these bases, the dissertation interprets the perceptionexperience, comprehensive perception and perception consciousness in the“Perception Field”, discusses the dynamic paths, multiple views and timeconsciousness in the “Movement Field”, explains the experiences of gravity, pressureand dynamic in the “Behavior Field”, and then reveals the origin meanings of thepresence of architecture and body.Based on the above research, the dissertation, on one hand, investigates thepresentation of materials, the transformation of space-time and the arrangement oforders in Chinese classical gardens to inspire the contemporary architectural creations.On the other hand, the characters of presence–“Weakness”,“Duration”,“Embodiment” are revealed to enlighten the contemporary architectural theory on material, time and meaning, and to provide practical guidance for architectural design,which emphasizes the atmosphere, paths, and narrative in architecture. In addition, thedissertation forecasts the development of the research on phenomenology andarchitecture, and discusses the application prospect of phenomenological literature,method and description in architecture.更多还原