【作者】 陈彦霖；

【导师】 顾平；

【作者基本信息】 上海大学 ， 美术学， 2013， 博士

【摘要】 本文以倪瓒为个案，以其特有的“一河两岸”图式为研究中心，展开对倪瓒的生平、画学经历、笔墨语言以及历史作用和地位全面考察。“一河两岸”图式作为中心线索贯穿整篇论文。文章将倪瓒自创的这一图式与他的生平、个性、笔墨表现、作品意境以及作为文人画“逸品”第一人联系在一起。分析中以倪瓒的具体作品为依托，以笔墨语言为重点，围绕“一河两岸”图式展开论述，试图窥视“一河两岸”图式与众多因素之间的内在关联。本文的主要结论是：倪瓒穷其一生，将简约朴素作为其艺术追求的最高标准；“一河两岸”图式，以其极简的构图和精妙的笔墨，将中国文人画推向一个空前完美的高度；倪瓒是“逸品”的代表并将“逸品”发挥到极致；与此同时，“逸”的观念也从艺术风格的品评界定向着创作态度和精神境界的扩展更加推进；倪瓒和他的“一河两岸”以及“逸”，也将文人画的缘情传统真正发展到了自我表现的极至状态。更多还原

【Abstract】 In this paper, Ni Zan Case Research Center, with its unique "River"schema, expand Ni Zan’s life the painting study experiences, pen and inklanguage and history of the role and status of a comprehensive study."A river" Schema as a central clues throughout the entire paper.Articles Ni Zan own schema with the performance of his life, personality,pen and ink, works mood as well as literati painting Yiping first personlinked. Relying on analysis of specific works of Ni Zan, ink language focus,focus on "a river" Schema discusses trying to spy on the inherentrelationship between one river Schema many factors.The main conclusions of this paper are: Ni Zan a lifetime, simple andplain as the pursuit of the highest standards of their art;"river" schema, withits minimalist composition and exquisite pen and ink, the Chinese literatipainting push an unprecedented perfect the height; NiZan Yiping therepresentatives and "Yiping play to the extreme; At the same time, theconcept of" escape "from the Art Nouveau tasting defined more advancingtowards the expansion of creative attitude and spiritual realm; NiZan his"River" and "Yi", the real development of the Yuan Qing literati paintingtradition to the extreme state of self-expression.更多还原