【作者】 李颖；

【导师】 张西平；

【作者基本信息】 北京外国语大学 ， 中芬文化交流史， 2013， 博士

【摘要】 近几年随着中国与欧盟国家关系的日益重要,中国与欧盟各个国家往来逐渐频繁。在对外交往过程中,经济贸易的交流必然伴随着文化的沟通和互识。这就需要知识界学术界对异质文化之间有效的交流和沟通提供知识和理论上的智慧支持。在研究过程中,把欧洲作为一个整体进行讨论研究固然有其必要性,但是对于欧洲不同国家的个案研究更加重要,只有基于此才能够更好地认识、理解对方,尽量避免负面的、消极的误读和曲解。因为芬兰自身的历史发展特点,以及中芬交流中的历史因素,在研究中仅仅套用中国与欧洲其他国家文化交流中的模式来解释芬兰对中国文化的接受并不适用,而需要从历史的角度和具体的国际关系背景下察看芬兰对中国的接受和理解。本论文《芬兰的中国文化翻译研究》以北欧国家芬兰为对象,从学术上梳理芬兰对中国的认识和中国文化在芬兰的翻译研究,在一定程度上弥补了长期以来对于芬兰与中国文化交流研究的不足。笔者将芬兰的中国文化翻译研究论题锁定在中芬文化交流史的大范围内,先做基础的历史梳理,厘清中国与芬兰文化交流和影响史,清楚掌握中国文化向芬兰传播的历史轨迹,辨析各个时代中芬文化交流的特点。在大量收集芬兰与欧洲有关中国文化译介和著作第一手资料以及比较全面掌握国内欧洲汉学研究现状的基础之上,以历时性研究为手段,梳理了芬兰语境下自20世纪上半期直到今天对中国文化的译介情况,主要梳理了芬兰语的中国文学哲学作品译介情况。通过对译者背景、译介源语言以及芬兰国家发展状况和国际关系几个方面的考察,阐释了芬兰的中国文化翻译所具有的独特之处,以及芬兰各个时期翻译的特点。采用阐释学、译介学理论对跨文化、跨民族的文学翻译活动进行分析。以中国诗歌翻译为个案研究,分析了芬兰在诗歌翻译过程中的变化,以及芬兰翻译学界在受到欧美意象派诗歌理论的影响下对中国诗歌的“创造性叛逆”译介。通过芬兰翻翻译中译介语言的变化,从一个角度分析芬兰受欧洲其他国家汉学的影响以及芬兰自身的汉学发展。同时,与芬兰文化交流的国别研究对“非中心”的国家研究有普遍意义。不同于其他欧洲的中心国家,芬兰从地理位置到政治发展,从经济实力到文化渊源,一直处于欧洲的非中心、边缘的地位。所以作为典型的边缘国家,芬兰语境下对于东方特别是中国的接受与其他欧洲国家有着巨大的区别,有着与中心国家不同的性质和特点。本论文试图认真以芬兰为例辨析欧洲各个民族与国家对中国的理解和认识,研究其具体的历史过程和文化特点,真正总结出欧洲各个不同国家自身对中国文化接受的规律和特点。更多还原

【Abstract】 In recent years, China’s relations with the EU countries have become more and more important. During this progress, economic and trade exchanges are usually accompanied with cultural communications and mutual understanding, which requires contemporary intellectuals to support in, knowledge and theory in transcultural communication. Although it is necessary to discuss Europe as a whole, it is more important to study different European countries as specific cases. Only based on these case studies, mutual understanding can be built without serious and negative misreading and misinterpretation. The pattern of acceptance of Chinese culture in other European countries doesn’t apply in the case of Finland, because Finland has a different and special history during the national independence progress and Sino-Finnish exchanges. The specific case needs to be studied in a historical perspective and the specific context. This dissertation "Study on Finnish translations of Chinese Culture" is especially based on the Nordic country—Finland. By combing and studying the history of the Finnish translations of Chinese culture, this dissertation aims to illuminate how the Chinese culture has been cognized in the context of Finland.The study is focused on the research of Finnish translations of the Chinese culture in the historic background of Sino-Finnish cultural exchanges in a wide range. First, through the basic historic study, this dissertation clarifies the progress of Chinese and Finnish cultural exchanges, analyses the historical influence of Chinese culture in Finland, and summarizes the characteristics of different periods. Based on a large firsthand collection of Finnish and European translations and writings about Chinese culture and more comprehensive understanding of domestic research on European Sinology, this dissertation analyzes translations of Chinese culture in the Finnish context from the beginning of the20th century to today with a methodology of diachronic study, especially the translations of Chinese literature and philosophy. Through the in-depth study on the translators’backgrounds, the source languages of translation, the context of national development and international relations, this dissertation explains the characteristics of Finnish case in transcultural translation and its different periods. By means of methodology of Hermeneutics and the theory of Translation, the author analyzes transcultural and cross-national literature translating. Especially by a case study of translation of Chinese poetry, this dissertation exposes the changes during the Finnish process of poetry translation, and the "Creative Treason" of Finnish translations under the influence of Imagism from Western academic world. In the aspect of the changes in source languages, the author tries to analyze the impact of European Sinology on the Finnish case and the development Finnish sinology.This case study of Finnish cultural communication is also significant for other studies of "non-centered" countries. Different from other central European countries, Finland has been a non-central and peripheral state in Europe, in terms of the geography, political and economic development, and cultural evolution. Thus as a typical peripheral country, the influence and acceptance of oriental culture, especially Chinese culture, in the Finnish context have enormous differences from other "centered" European countries, and expose its own natures and characteristics. This dissertation attempts to clarify these differences with an in-depth analysis of specific history and culture. So we can really excavate the characteristics and pattern of different European nation cognizing and understanding China.更多还原