新疆民族装饰艺术审美心理追溯

【作者】 李晓瑜；

【导师】 许平；

【作者基本信息】 中央美术学院 ， 设计艺术学， 2013， 博士

【摘要】 本文以新疆民族装饰艺术中的“金妆文化”现象为思考角度,梳理并试图探讨了形成其民族装饰艺术审美心理所产生的历史及社会文化成因,全文也一直围绕着这样一个问题展开,即形成新疆的民族装饰艺术中的“金妆文化”为何在新疆存在,为何呈现出金装的视觉文化特征。本文从现象的思考入手,第一章梳理了黄金作为自然物质本身到成为承载人类文化载体的过程,黄金被东西方各民族赋予了不同的文化样貌。第二章从新疆的民族装饰艺术中的“金妆文化”表现形式进行视觉上的分析,讨论了黄金对于新疆民族而言,被赋予了怎样的民族文化信息。第三章从早于中原地区的用金和饰金审美传统的新疆的主要金工艺现象进一步讨论了新疆“金妆文化”存在的悠久历史传统,第四章及第五章从民族审美心理学理论分析的方法入手,从形成民族审美心理发生的自然地理环境及其原始文化的最初民族集体无意识开始,对形成新疆“金妆文化”的“原始密码”进行了线索梳理,然而,形成其民族审美心理最终积淀的还是社会文化系统,新疆的历史文化所具有的诸多特性也最终将用金的审美意识稳固下来,体现在日常生活的审美观念中。结语对新疆的用金传统对中原用金及其工艺产生的影响进行了讨论,进一步说明了新疆在其中所起到的重要的中介作用。更多还原

【Abstract】 Based on "gold decoration culture" in the ethnic decorative art of Xinjiang, this paper attempts to discover historical, social and cultural origins of the aesthetic psychology for the ethnic decorative art. The paper is also structured around why the "gold decoration culture" has existed among ethnic groups in Xinjiang, and how its visual cultural characteristics were formed. Chapter1of the paper gives an account of the course of gold as a natural substance becoming a carrier of human culture and being given different cultural meanings by Eastern and Western nationalities. Chapter2gives an analysis from the visual perspective of the forms of the "gold decoration culture", and explores what ethnic cultural information that gold carries to ethnic groups in Xinjiang. Chapter3deals makes further discussion about the long tradition of the "gold decoration culture" from gold treating processes in Xinjiang’s gold and gold-decoration aesthetic tradition which emerged earlier than that in China’s central plains. Chapters4and5, through a theoretical analysis of the ethnic aesthetic psychology, looks into the "primitive code" for Xinjiang’s "gold decoration culture", starting from the natural and geographic environments in which the ethnic aesthetic psychology was formed, and from collective unconsciousness in its primitive culture. But it was in the social and cultural system that this ethnic aesthetic psychology deposited, and many characteristics of Xinjiang’s history and culture have been eventually stabilized through the aesthetic consciousness about gold and manifested in aesthetic perception of everyday life. In the final section, the paper looks at the influence that Xinjiang’s gold tradition had on gold treating processes in the central plains, as well as the important role that Xinjiang played in that regard.更多还原