【作者】 孙振涛；

【导师】 肖占鹏；

【作者基本信息】 南开大学 ， 古代文学， 2012， 博士

【摘要】 本学位论文致力于唐末五代西蜀文人群体及文学思想研究，全面考察唐末、前蜀、后蜀三个不同政权背景下西蜀文人群体的生成态势、群体人格及文学创作思想的整体演变态势。同时，深入研究蜀地宗教文化和地域文化与西蜀文人群体及文学思想演变之间的关系，全面考察处于“承唐启宋”转型时期的西蜀文人群体及文学思想对南唐和宋初文坛所产生的深刻影响。本学位论文共分为六章内容。第一章对唐末西蜀文人群体的生成态势、群体人格及文学思想进行全面研究。首先，对唐末寓蜀文人群体的生成态势及群体人格进行全面考察，其次，对蜀中文人群体的“崇杜”情结与感事写实的文学创作思想进行深入分析；对唐末帝王的中兴美梦与蜀中文人群体复古崇雅的文学思潮进行全面考察；对西蜀文人开掘内心、追摹贾岛和追求雕琢“苦吟”的文学创作倾向进行深入解读。第二章对五代前蜀一朝蜀中文人群体的生成态势、群体人格及文学思想进行全面研究。首先，对前蜀王朝统治下的蜀中文人群体的生成态势和活动方式做一进行考察。其次，对这一特定历史时期蜀中文人群体的思想心态和价值取向进行深入分析，探讨其由“功名”到“名利”、由“守道”到“顺时”、由纵情享乐到“醉入花间”的群体人格裂变情况。再次，对深受社会政局变动、时代经济发展、文人群体人格裂变及前朝风习浸染等诸因素制约的前蜀士人文学创作思想进行全面研究，考察其居于时代主流地位且引领社会创作风尚的质俚浅切和市井俗化的文学创作倾向以及缘情绮靡、寻芳猎艳和回归六朝“宫体”的文学创作思潮。第三章研究探讨五代后蜀一朝文人群体的生成态势、群体人格及文学思想。孟氏二主四十年多年统治下的后蜀文坛自成段落自具特色，首先全面考察后蜀一朝蜀地文人群体的构成方式、生成态势及群体人格思想等内容。其次，深入探讨韦縠《才调集》“韵高”、“词丽”的诗学思想内涵以及与五代西蜀文学思潮之间的律动关系。再次，分析探讨西蜀《花间集》的编纂特点、选词标准及编纂思想，全面考察其与后蜀文学思潮之间的律动关系，并对其所代表的后蜀文人集体无意识的词学审美思想进行深入解读。第四章就唐末五代时期蜀地宗教文化与西蜀文人群体的生成态势、人格心态及文学思想之间的关系进行深入探讨。首先，全面考察蜀地佛教的发展状况、西蜀社会的崇佛思潮以及西蜀文人的禅悦情怀，进而深入研究佛教传播与西蜀文人群体和文学创作思想之间的关系。再次，全面考察道教在蜀地的传播情况、西蜀文人群体的佞仙情怀以及道教传播对西蜀文人群体和文学创作神仙道化色彩之间的关系。第五章就唐末五代时期西蜀地域文化与蜀地文人群体及文学创作思想之间的关系进行全面考察。首先，采用对比的视角分析探讨巴、蜀、汉中三大地理文化版块与蜀地文人群体的分布状态之间的关系。其次，采用流动的视角全面考察唐末、前蜀、后蜀三大政权背景下西蜀文人群体，对巴蜀地域文化认知和感受方面的历时性和阶段性的演进态势。再次，全面考察蜀地平原文化与西蜀地域文学中的神话色彩及乡邦文化色彩之间的关系，深入分析巴峡山地文化与西蜀地域文学中的竹枝情韵和楚骚风味之间的关系。此外，花蕊夫人《宫词》颇具西蜀地域文化风貌特征自有其独特的艺术审美特质，本章最后专列一小节予以关注和探讨。第六章运用动态化的文化对比视角，全面考察和分析西蜀文人群体及文学创作思想对南唐和北宋文坛的影响态势。首先，深入探讨西蜀“花间词”对南唐词坛的影响，分析考察南唐词人对西蜀“花间”词人的曲词创作范式和词学审美理想的认知和接受情况。其次，全面考察由孟蜀一朝入宋的遗民文人群体在宋初文坛中的生成态势及群体人格思想。再次，分析探讨蜀籍遗民文人群体与宋初崇尚“白体”和“晚唐体”诗歌创作思潮之间的律动关系。其次，考察分析西蜀“花间”词人对宋初词坛的创作审美范式及词学崇雅思潮的深刻影响。更多还原

【Abstract】 This dissertation centers upon the school of literatis living in Sichuan area andtheir literary thoughts during the late Tang Dynasty and the Five Dynasties (mainlyinvolving the early Shu Dynasty and late Shu Dynasty). Its contents mainly coverthe whole process of their evolution from the school’s birth, personality as a wholeand their thoughts on literary writing. Furthermore，the dissertation makes a deepstudy of the impact of the religious and regional cultures on the evolution of theliterati school’s literary thoughts in the area of Shu. In addition, thoroughlyinvestigated is the deeply remote influence of the school’s thoughts about literarywriting in the literary circles during the Southern Tang Dynasty and the NorthernSong Dynasty since the school of literatis lived at the turn of literary trends from theTang Dynast to the Song Dynast. In all, the dissertation consists of six chapters.Chapter one is about the overall research on the school’s birth stance,personality and literary thoughts in the area of Shu in the late Tang Dynasty. Firstcomes a thorough study of the school’s birth stance and personality in the area ofShu in the late Tang Dynasty. The second is about a profound analysis of the school’scult complex over an earlier luminary poet in the middle Tang Dynasty—Du Fu, andthe school’s literary thoughts of emotionally recalling life experiences and reflectingsocial reality. Meanwhile, there is a comprehensive reflection of the later emperors’fond dreams of rejuvenation in the late Tang Dynasty and the school’s literary trendof upholding elegance by returning to the past. There also exists the author’sendeavour in a profound insight into the school’s exploration and depiction ofinnermost worlds and their imitation of the celebrated poet Jia Dao in pursuit of hispoetic attainment in florid lexical precision.Chapter two is a thorough study of the birth stance, personality and literarythoughts of the literati school in the middle of the early Kingdom of Shu during theFive Dynasties. Firstly, the birth stance of the school of literatis in the middle of thekingdom under the regime of the early Dynasty of Shu, their personality as a wholeand the characteristics of their activities are generally investigated. Secondly, bypenetrating into the school’s ideology, mentalities and values, the dissertationexplores the degeneration of the school’s personality from their acquisition of“official rank” through scholarly honour to their acquisition of “fame and wealth”,from their “adherence to their moral matrix” to their “comformity to their historictide”, and from abandoning themselves to their sexual lust. Thirdly, based on acomprehensive study of the school’s literary thoughts by considering such influential restrictions on their literary thoughts as the turbulence of current political situations,the development of current economy, the degeneration of the school’s holisticpersonality and the gradual contamination of the common practice by the lieratis inearlier dynasties, their literary preferences are investigated as the main leading trendof the current literary society, like simplicity as well as vulgarness in expression andsuperfciality in understanding. Meanwhile, thoroughly investigated is their suchliterary inclinations as fabulously and depressedly expressing love and otheremotions, frequenting houses of ill repute and returning to the dominant aulicliterary style existing in the Six Dynasties.Chapter three is about the overall research on the school’s birth stance,personality and literary thoughts in the late Kingdom of Shu (933-965) during theFive Dynasties. The literary forum under the regime ruled by the two kings with thelast name Meng has its own characteristic development. Therefore first comes theoverall review of the constituents, birth stance, holistic ideological personality of theliterati school. Secondly is about the interaction between the connotations of the poetWuhu’s poetry thoughts like “highly rhyming” or “choosing florid words”proclaimed in his works The Collection of Talents’ Literary Styles and the literarytrend in the early Kingdom of Shu duing the Five Dynasties. Furthermore, basedon the reflection of compiling features, criteria of selecting rhymed verses or ci andcompiling policies of the works The Collection of Rhymed Verses: Pondering amongPalace Flowers compiled during the early Shu Dynasty, the interaction between thegreat works and the current literary trend is discussed at depth; and morover aprofound insight is made into the poetry aethestics reflected in the literati school’sunconsciousness as a community represented by the works.Chapter four is a thorough discussion of the impact of the religious culture onthe school’s birth stance, mental personality and literary thoughts in the earlyKingdom of Shu in the late Tang Dynasty and the Five Dynasties. Firstly, on thebasis of the overall review of the development of religion, the wave of the worshipof Buddhism by the current world, the school’s preference religion, and the impact ofthe transmission of Buddhism in the area of Shu on the school’s lives and theirliterary thoughts are explored. Secondly, comprehensively involved are thetransmission and reception of Daoism in the same place, the school’s addiction forimmortals and the impact of the former on the school’s lives and tendency ofbringing immortals or Daoism into their literary writing.Chapter five is about the relationship between the regional culture in the area ofShu and on the school’s literary thoughts in the late Dang Dynasty and the Five Dynasties. Firstly, a comparative study is made of the relationship between thefollowing different cultural domains respectively called Ba, Shu and central Chinaand the distributions of different schools of the literatis. Secondly, a diachronic andsynchronic research is overally made on the school of literatis in the area of Shuunder the three different regimes of the late Tang Dynasty and the early and late ShuDynasties in terms of the diachronic and periodic evolution of their culturalcognition and reception of the holistic regional culture in the domains called Ba andShu. And an overall exploration is made of the relationship between the culture inthe plain of the Shu area and two such distinctive cultures—the mythic appeal of thelocal mountainous literature in the area of Shu and the local flavor in the literature inthe pastoral area. A careful study of the relationship between the taste reflected inThe Book of Songs or Sao in the Kingdom of Chu and the sentiments over bamboosin the literature in Gorge Ba and the Shu area. In addition, an extraordinary aethesticquality penetrating in Rhymed Verses in Palace by Madam Pistil—the cultural viewcharacteristic of the locality of Shu was shown. Therefore, at the end of this chapterattached is a special section about her verses as a special regard.Chapter six is about the thorough analysis of the influence of the school andtheir liteary thoughts on the literary forums during the Southern Tang Dynasty andthe Northern Song Dynasty in a dynamic perspective of cultural contrast. Firstlydiscussed is the effect of the rhymed verses in The Collection of Rhymed verses:Pondering among Palace Flowers in the early Shu Dynasty on the forum of rhymedverses during the Southern Tang Dynasty by analyzing the cognition and reception ofthe poets’ mode of writing in the former dynasty by the poets in the latterone.Secondly is a profound investigation into the birth stance of the school of theadherent literatis of the Shu Dynasty ruled by King Mengs in the literary forumduring the Northern Song Dynasty and their mentality of personality. Next comes thedisussion of the echo of the school of adherent literatis with origin of the area of Shuin the poetry trend represented by the liking of the poets for the Style of Bai andStyle of the late Tang Dynasty in the Northern Song Dynasty. In addition, last comesthe anaysis of the remote impact of the school of poets in the area of Shu on theaesthetic literary writing and poetry cult for elegance during the Nothern SongDynasty.更多还原