视觉文化视野下的上海漫画艺术研究

【作者】 俞玮娅；

【导师】 王邦雄；

【作者基本信息】 上海戏剧学院 ， 戏剧戏曲学， 2012， 博士

【摘要】 上海是中国漫画的发源地。自清朝末年西方文化进入上海,上海就以其包容性将西方艺术与当地文化紧密地集合在一起,出现了报刊、画报等大众传播读物。使得“漫画”艺术借助报纸的力量进入到大众的视野。“漫画”艺术夹带着幽默、诙谐、讽刺、智慧的特质引起大众的注意。本论文试图以“上海漫画”为研究对象,以其在各个历史时期的主要作品为研究基础,总结它的特点,分析其背后的视觉文化特质。本论文以上海漫画的发展历程为脉络,由五个章节构成。第一章以“清末民国初年上海的漫画”为研究对象,论述上海漫画出现的时代背景、内容形式,并研究视觉文化视野下的这一新兴事物诞生的特点与传播媒介。第二章以“二十世纪20至40年代的上海漫画”为对象展开研究,以当时上海的几位著名漫画家为例,论述上海二十世纪初期、上海漫画发展承前启后的20年代、30年代上海漫画发展的黄金时期、抗战时期、解放战争时期的漫画发展与反映出的视觉文化现象。第三章以“新中国建立之后的上海漫画”为研究对象,论述建国初年、文革时期上海漫画的特征,以及改革开放之后,随着日本漫画的进入,上海漫画发展的现状。第四章以“思索二十一世纪漫画的发展”为主题,比较中、日两国漫画发展的区别,从日本漫画发展的特点出发分析日本漫画艺术作品是如何将艺术与商业结合,讨论漫画分级制度的必要性,提出漫画产业发展的可行性,以期给上海乃至中国漫画的产业化道路一些启示。最后一章为本文总结。上海漫画是伴随着中国民主革命与战争一起成长起来的。当笔者整理上海近代、现代漫画艺术发展的脉络和特点时,总结新中国成立后上海的漫画时,从时代背景、作品本身的内容和形式出发,看到的是多姿多彩的视觉图像集合,看到是历史各个时期艺术家们通过漫画宣扬自已的主张和观点,更重要的是看到了他们通过幽默与讽刺的方式树立起来的独立思考之精神。“讽刺”与“幽默”是漫画两个最明显的特点,笔者通过对上海漫画艺术发展的研究,说明上海的漫画艺术作品运用“讽刺”与“幽默”手法农现出艺术家们独立思考的精神,说明漫画是启迪人们独立思才、开启心智最有效的视觉图像形式之一。同时,试图寻找艺术教学中培养学生独立思考的方法,从而培养学生独立思考之精神。再者,笔者借以“上海漫画”的研究,希望补全以上海为中心的“海派文化”的风貌,丰富“海派文化”的图像内容。另对,对于文革时期漫画作品的收集,以期填补对这一时期上海漫画的图像空白。更多还原

【Abstract】 Shanghai is the birthplace of the Chinese comic. Since the end of the Qing Dynasty, the western culture came into Shanghai. Shanghai made the western art with the local culture closely together with its inclusive characteristics, and there were newspapers, pictorial and mass communication books in Shanghai. Then, Chinese comic with the power of newspaper into the public’s view, and it caused the attention of the public with its humor, irony, and the qualities of wisdom. This paper based on Shanghai comic in various historical periods of the major works, attempts to analyze the visual and cultural qualities of it and summarize its characteristics.The study consists of five chapters with the course of development of the Shanghai comic history. The first chapter is about "Shanghai comic in the end Qing Dynasty and early Republic of China", and the research of its background, the content and the form, in order to read the features of this new thing borned with the media under the visual culture. The second chapter is about "Shanghai comic in the twentieth century of20-40years". It reseaches the several well-known caricaturists in Shanghai at that time and discusses the comic development and reflect the visual culture phenomenon in the early twentieth century, the past and the1920s, the golden1930s, the period of Anti-Japanese War and the period of China’s War of Liberation. The third chapter is about "Shanghai comic after1949". The study is about the characteristics of Shanghai comic in1950s, the period of China’s Cultural Revolution and the status of Shanghai comic development with the entry of Japanese comic.The fourth chapter is about "the Chinese comic development in the twenty-first century". Compared with the Chinese and Japanese comic, the paper attempts to analyze how the Japanese comic to combine art and commerce, and to discuss the necessity of the comic grading system and the feasibility of the comic industry’s development. Thus, it will give some advice on the Shanghai’s comic industry, even the Chinese comic industry. And the last part is the summarize of the whole study.Shanghai comic grew up by the Chinese democratic revolution and the war.When I organize the the history of Shanghai comic, I see the colorful collection of visual images with its background, content and form.1also find the artists to promote their ideas and viewpoints through the comic in history of each period, and the more important is to see they set up the spirit of independent thinking by way of humor and irony."Irony" and "humor" is comic’s two most obvious features, from the study I attempts to describe Shanghai’s comic use of "irony" and "humor" to show the spirit of the artists of independent thinking, and to describe comic is one of the most effective visual image forms to enlighten people thinking independently and open its mind. At the same time, I try to find a way how to make the students thinking independently in the art teaching, and try to complement the style of "Shanghai culture", enrich the content of its images as the center. In addition, the paper tries to fill the blank of the China’s Cultural Revolution comic images.更多还原