【作者】 刘灏；

【导师】 贾达群；

【作者基本信息】 上海音乐学院 ， 作曲， 2012， 博士

【摘要】 本论文以美国20世纪著名作曲家、西方现代音乐巨匠查尔斯·艾夫斯代表性作品中的拼贴技法及其风格特征为主要研究对象,结合西方艾夫斯领域的经典文献及国内近年来最新研究成果,通过对艾夫斯作品中拼贴技法的来源、创作意图、具体形式及审美特征,总结出其拼贴技法的基本风格,通过对作曲家拼贴技法的具体构成与运用的分析来揭示这一技法在其整体风格与创作观念中的地位,并尝试探索这一技法产生的具体时空语境与美学内涵,并从艾夫斯所处的时代的宏观文化背景出发,对这一重要技法的文化渊源进行了阐释。本论文由导论、结语和四章构成。导论部分介绍本论题的选题依据和研究方法。第一章概述了艾夫斯的时代、生平与整体音乐语汇、风格特征及音乐观念。第二章通过梳理拼贴技法的历史源流、并结合对艾夫斯几部代表作中拼贴技法的分析,介绍了其拼贴技法的基本状况与总体特征。第三章集中论述了艾夫斯拼贴技法的技术特点与风格特征及其与作曲家其他实验性作曲手法之间的关系。第四章从文化与社会背景的角度,讨论了艾夫斯拼贴技法与超验主义思潮、美国民族文化观念以及20世纪初美国的社会状况、宗教信仰之间的关系,揭示了作曲家包含在拼贴技法中的复杂而深邃的音乐美学思想和艺术观念。在结语中,从技法和观念两个层面对艾夫斯作品中拼贴手法的意义进行了阐述,分别指出其在20世纪西方音乐语言和作曲技术力量革新的历史进程中的历史地位和在20世纪之初美国社会文化语境中产生的必然性及重要意义。更多还原

【Abstract】 The dissertation focuses on collage skill and style characteristic of typical works of Charles Edward Ives, a famous American composer of modern western music in the20th century, by combining classical documents of Ives abroad with the latest research achievements of our country. The author studies the inspiration, intention, specific form and aesthetic characteristics of the composer so as to summarize the basic style of collage skill. The author also analyzes the concrete structure of collage skill, in order to reveal significance of the skill in composer’s concept and style. What this dissertation wants to explore is the space-time context and aesthetics connotation of collage skill, and finally tries to explain the cultural origin of the skill from the macroscopic vision of the time that Ives lived.The dissertation consists of introduction, four chapters and conclusion. In the introduction part, it mainly introduces the gist and signification of the topic, main content, and methods of research. Chapter one summarizes Ives’s time and biography, his music language and style and concept. Chapter two presents basic situation and general characteristics of collage skill by collecting its historical origin and developments and analyzing several typical works of Ives. In chapter three, the author mainly discusses technical features and style characteristics of collage skill, and its relation with other avant-garde composing skills of the composer. The chapter four, from perspective of culture and social background, which talks about the relation between collage skill of Ives and transcendentalism, national cultural concepts of America and social condition and religion of20th century, finally discovers complicated musical aesthetic ideology and art concepts contained in collage skill of the composer. In the conclusion, from both technique and concept, the significance of collage skill of composer’s works is expounded. The author thus indicates the historic status of collage skill in the process of composition development of the20th century and its necessity in the cultural context of the20th century America.更多还原