新时期蒙古文小说批评观念变迁

【作者】 包阿拉坦巴根；

【导师】 楚鲁；

【作者基本信息】 内蒙古大学 ， 中国少数民族语言文学， 2012， 博士

【摘要】 《新时期蒙古文小说批评观念变迁》以小说批评观念为主线,对改革开放30多年来蒙古文小说批评的相关学术论文进行文本解读,进行综合、分析研究,通过系统化、科学化梳理,探寻小说批评观念发展变迁的内在规律。专题研究包括五个内容：导论部分,提出蒙古文小说批评的历史衍变,说明选题原由、研究目的、研究方法及其作用,介绍其材料选用范围,并列出前人研究状况。第一章,简要概括文学批评的具体内容、新时期蒙古文小说及小说批评理论的发展脉络,分析小说批评家队伍现状,介绍蒙古族小说的中文批评及卫拉特蒙古族小说批评理论的发展状况,阐释蒙古国和俄罗斯的布里亚特、卡尔梅克民族小说批评理论的研究状况。第二章,从小说的基本要素出发对小说主题和人物形象批评观念变迁进行研究。小说主题批评研究揭示了小说主题发展的基本脉络：小说主题在改革开放初期得到宽松发展空间,20世纪80年代中后期体现多元化发展趋势,90年代继续平稳发展,进入新世纪后不断向前探索。小说人物形象批评研究分析了人物形象描述的观念变迁,揭示了塑造人物形象的内在规律和塑造典型人物的重要性,总结出人物形象类型塑造的重点变化规律。第三章,从评论家的角度出发对蒙古文小说的传统、新型批评模式进行深入探讨。对蒙古族小说的社会历史批评、伦理道德批评、审美批评等传统批评模式,从批评范畴、标准扩张和批评方法的认识理解等角度进行理论研究；对蒙古文小说文化批评和生态批评的内容扩张及内在本质变化进行研究。第四章,从小说家叙述艺术角度进行研究。具体研究小说家创作思维的独特性,分析小说叙事结构和叙事角度艺术,研究小说语言从工具论到文化载体论的变化轨迹、小说修辞的美化艺术、遵循的传统规律和避免不当使用等内容。本文从小说基本要素、小说批评家和小说作家的叙事艺术批评等角度出发进行专项研究,寻觅出改革开放30多年来蒙古文小说批评观念变迁的内在规律,给相关的研究者和学者展示全新的认识和理念。更多还原

【Abstract】 The Changing Concept of Mongolian Novel Critique in the New Period centers around the conception of novel critique, exploring the essays on the Mongolian novel critique in terms of stylistics since the beginning of the reform and opening-up policy. With a comprehensive and analytical approach, the author carries out a systematic study on the aforementioned materials in order to uncover the internal law during the developmental sequence of the conception of the novel critique.There are five components in the monographic study.First, it is an introduction part consisting of the changing history of the Mongolian novel critique, explanations to the choice of the study, research purposes, research methods and their functions, scopes of references, and literature review.In chapter one, the paper briefly outlines the content study, the new period Mongolian novel and the developmental phases of the theories on Mongolian novel critique, analyzing the status quo on the development of the body of the critics, introducing the present situation both on the theories from domestic Mongolian novel critique in Chinese character and from overseas, such as Mongolia, Buryat Russia and Crimean Mongolia, and etc..To begin with at chapter two, it mainly focuses on the basic elements of novel to research into the changing conception of critique on theme and character. The research with theme critique reveals the fundamental changes:the theme critique developed in relatively free settings in the early stage of reform and opening-up period, with diversified tendencies in the middle and late of1980s, with continued steady growth in the1990s and with new explorations in the new century. The study of novel character critique analyzes the changes of character portrayal, revealing the internal laws on shaping of characters and on the significance of portraying role models. Thus it draws out the significant changes undergone in terms of rules shaping different types of novel characters.A detailed study is carried out from the perspective of critics to explore the traditions and the new patterns of critique in Mongolian novel in chapter three. The traditional patterns, focusing on the aspects of society, history, moral and aesthetics, are examined from the different angles, such as the recognition and understanding of scopes of criticism, standard expansion, and ways of criticism. Furthermore, it also covers the content extension and the changing essentials of new types of critiques on Mongolian novel related to culture and ecology.The last chapter deals with the topic from the perspective of narrative art of novelist. It analyzes the authors’originality in creative thinking, expounding on narrative structure and angle, discussing the functions of novel regarded as from a language tool to both a transmitter and carrier of traditional culture. What is more, it also delineates on rhetorical devices in regard to aesthetics, traditional norms to be observed, and taboos in novel writing.This paper explores the basic elements of novel, novel critique and narrative art of novelist in order to undertake a monographic study which uncovers the internal law in the changing concept of Mongolian novel critique since the reform and opening-up policy, throwing some light in terms of cognition and understanding to the general public.更多还原