对生与环进—花婆信仰中的壮族审美生发图式

【作者】 翟鹏玉；

【导师】 袁鼎生；

【作者基本信息】 云南大学 ， 中国少数民族艺术， 2012， 博士

【摘要】 壮民族的花神信仰,其核心范畴是“花”。而作为族类的根本表征的花,成为了壮族始源的建构与认同。在这种建构与认同之中,壮族将自我历史的建构,推及久远的初始——历元的形成。而这种历元的本质就是时间本身。进而,由壮族的历元推展到四时——月的形成与运演,再扩展到日常世界的机理及其制度的建构,并在这种时间顺衍之中,壮族寻找到了其衍化的五行的归宿——土王地中的时间统一性,从而将天元——天时、地元——地中、人元——人时结合起来,确立了天人合一的时间观——时中。这种运演,有着回归本原的环进轨迹。壮族这种对人的时间性的关注,其落脚的是人的生产,并由此延展到类与壮族社会结构的历史生产；兼及物的生产,二者相辅相成；而这两种生产的运作是完全严格地按照壮族所发现的宇宙规律——时间的节律——三大辰来进行的。由此生成壮族的生态审美图式：花婆——参宿据子位以立元,呈现为壮族的历元,从而展现了壮族的真善美本体与本源,并形成了道生一化三的宇宙生发图式,正是在这种宇宙生发图式之中,形成了壮族审美世界第一个图式：“判天地之美”；随着壮族的立元,及其与宇宙结构规律的严密对应性与对生性的呈现,壮族依托参宿乘龙(大火星)所表征的自然律的分形,完善地建构起自我社会结构、制度及其运行规律,从而在壮族社会生活的日常运作之中表现出花婆信仰的生态审美的衍生图式：“备天地之美”；接着,为确保壮族生命与社会的可持续发展,花婆信仰将人与自然的对应与对生的范围,拓展到以北斗为中心的整个天宇,并通过斗据参机而达成壮族的建寅-宗伏羲的历史意识：时空的建构,完成壮族内部秩序乃至宇宙秩序的自组织功能,从而在人类内部、人与自然的动态平衡的宇宙秩序的发生图式——“原天地之美”——中,展示出壮族审美世界的和谐境界与机理。而所有以上三种图式的运作,都嵌入了花婆(参宿)与大火星、北斗七星的对应与耦合的宇宙图式之中。这种对应未走偏,始终呈对生中和态,并贯穿在对花婆的螺旋式回归图式中,展现出壮族对永恒的皈依,及对永恒意义的实践——现实化历程中,表现出壮族的“对生与环进”的审美生发图式。在守母存子与原始要终的环进中,壮族的审美精神指向了融汇民族文化逻辑、历史实践与元理论三合一的美的本质生成——美成在久。这种具有时间的永恒性的美,是在从对生到整生,由循环到超循环的螺旋式规程中生发的。这就是花婆信仰的生态审美生发原理之所在。美成在久的运演,形成了生态审美的诸多范式：依生、竞生、共生与整生,再次显示了壮族圈进旋升的审美生发规律。美成在久的运演,使花婆信仰进入了人与自然的伦理关系的互维性及其审美超越性的境界。它规定了人的起源与本质具有自然性；而自然同样具有社会伦理本质与社会-历史性质。在人与自然的互维性历程中,展现了壮族生态智慧中蕴含着人与自然和谐的道德哲学基础与生态美学境界。这种从自然始,再和自然和谐共进的历程,内含超循环机理。花婆信仰这种螺旋式生成与递进的生态审美智慧,是可以达成与世界性的文明结构的对视、互动与共生,进而在视域的整合之中共同促进生态危机的解决,推动人类文明走向更高的境界的,因而,花婆信仰的生态审美智慧,是具有相当的普世性意义的。并且,借助这种普适性,壮族将在其文化的反刍与广纳之中,走向美好的未来。更多还原

【Abstract】 The core category of Zhuang nationality’s flora faith is’flower’:the root of the nationality-the original construction and identity, namely the construction of Zhuang nationality’s history, which ascends permanence of the remote initial-epoch-the formation of time, extends to four seasons-the formation and transport-play of months, then spreads to the mechanism and the construction of the daily world, and seeks to its derivation of the five elements’ end-result-the time’s unity of earth, king and land, thereby combines heaven’s elite-heaven’s time, land’s elite-land’s center, and human’s elite-human’s time, establishes the time idea of the unity of heaven and man-time center. This evolution has the ring track of regressing original source.What Zhuang nationality’s attention on man’s timeliness implants in production, and thus extends to the history production of class and Zhuang nationality’s social structure; combines the material production, the both are inseparably interconnected; And the two production operations are completely in strict accordance to the universal law of the Zhuang nationality’s time-three Calvin rhythm. This brings Zhuang nationality’s ecological aesthetics patterns:Hua-po-and lodge according to the son in a liyuan, presents the epoch for Zhuang nationality and exhibits the noumenon and source of the true, the good and the beautiful of Zhuang nationality, and forms the tao giving birth to one taking three universal germinal schema, it is in this universe of germinal schema that forms the Zhuang nationality’s first aesthetic world schema:"appreciates the beauty of the heaven and earth"; Along with Zhuang nationality’s liyuan, and with the universe of strict structure rules to present a correspondence, and Zhuang nationality rely on and SuChengLong (big Mars) of characterization of natural law fractal, and perfectly constructs the social structure, system and itself operation rules and social life in Zhuang nationality’s daily operation of the show Hua-po belief of ecological aesthetic derivative schema:"possesses the beauty of the heaven and earth"; Then, in order to ensure Zhuang nationality’s life and the sustainable development of society, Hua-po belief would man and the nature to corresponds with the scope of the opposite, and expands to the big dipper as the center of the whole universe, and through the measures, according to and machine to the construction of the Zhuang nationality’s wilbert-Pope fu historical consciousness:the construction of time and space, and complete the Zhuang nationality’s internal order and the order of the universe from organization functions, thus in the human internal, and man and nature of the dynamic balance of sequence was born schema:" follows the beauty of the heaven and the earth ", shows the harmony and mechanism of Zhuang nationality’s aesthetic world.And all of the above three schemas of operation, all the embedded Hua-po (and lodge), big Mars and big dipper corresponding and the coupling of the schema of the universe. The corresponding not deviate, always is opposite and state, and through that in a spiral return there application scheme, show on the eternal Zhuang nationality’s conversion, and the significance of eternal practice-the reality of course, show Zhuang nationality’s "opposite and ring into" aesthetic germinal schemata.In keeping original to end into the ring of saving mother and son, Zhuang nationality’s aesthetic spirit points to the national culture, history and logic practice theory as one yuan the nature of beauty generation—beauty exists forever. This is the time of timelessness beauty, is opposite to the whole born from, the circulation to the circulation of the spiral of the practice. This is the faith Hua-po ecological aesthetic hair in principle. Beauty in long transported into play, formed the ecological aesthetic of many of the paradigm:with birth, rivalry, symbiosis and the whole life, again shows that Zhuang nationality’s circle into spin litres of aesthetic germina! rule. Beauty in long transported into play, make Hua-po faith into the man and the nature of the relationship between ethics and its aesthetic transcendence mutual d sex of the state. It stipulated the people of the origin and nature is natural; And natural also have a social ethics nature and society-history properties. In people and the natural course of mutual, shows the Zhuang nationality’s ecological wisdom containing in the human and the nature harmonious moral philosophy foundation and ecological aesthetic realm. From the beginning of this nature, again and the nature harmonious, making the process, containing the circulation mechanism.Hua-po belief has spiritual formation and the main ecological aesthetic wisdom, which can be agreed with the worldwide civilization structure, interactive and symbiosis, and in the horizon of the integration process and jointly promote the solution of the ecological crisis, promotes human civilization to higher level, consequently, Hua-po faith has ecological aesthetic wisdom, and has a meaning of universality. And, with the aid of this kind of universality, Zhuang nationality will in its cultural and recruitment of the ruminant, walks up to the bright future.更多还原