【作者】 韩菡；

【导师】 靳之林；

【作者基本信息】 西安美术学院 ， 美术学， 2012， 博士

【摘要】 一要生存，二要繁衍，这是人类发展的基本要求，也是宇宙万物一切生物的本能。因此生命意识与繁衍意识也就成为人类发展的基本文化意识。实际上繁衍意识也是生命意识，是生命的无限延续。由此形成中华民族的混沌化分阴阳，阴阳相合化生万物，万物生生不息的中国本原哲学。以阴阳观与生生观为基础的中国本原哲学体系，作为民族文化的发展基因自始至终贯穿于民族文化发展的全过程，并成为了民族群体文化即民间文化的主体内涵。整个中华民族，一个群体的文化意识、哲学观念与民族精神。像一棵大树，从七八千年的远古社会至今都无断裂，是棵庞大的生命之树。这棵树是跨越着几千年一直到现在体现在全部的社会生活中。建筑是中华民族原始宇宙观最集中的体现,通过实证考察全部社会生活、信仰禁忌、人生礼仪等方面，得出这些符号流传最丰富的是民居建筑，通过民居建筑基本模式来了解本原文化的基本内涵。具茨山是“圣山”、“神山”，是人类文化基因密码最集中的体现，具茨山原始岩刻符号在本原文化研究中有极其重要的意义。本文以具茨山原始岩刻符号与民居建筑基本模式为研究对象，通过对具茨山原始岩刻符号与民居建筑基本模式的实证考察记录、分析与研究，试图跨越自然科学、文化人类学的基本理论范畴，在论文中运用本原文化与本原哲学基础理论和中国民居建筑哲学的研究并结合符号学基本原理，对具茨山原始岩刻符号在本原文化研究中的意义，以及民居建筑基本模式在本原文化与本原哲学中的体现研究与分析。图解具茨山原始岩刻符号与民居建筑基本模式关系中共同与不同符号体现研究。并且将文化符号与哲学符号同中原国际岩画博览中心设计结合起来，应用研究于中原国际岩画博览中心设计理念分析以及方案设计。最终将文化符号与哲学符号的基因密码提出。文化符号与哲学符号基因密码是活态传承于全部社会生活中，它的提出为人类文化的发展提出新的课题。更多还原

【Abstract】 “survive and reproduction”are the essential requirement of human development and theinstinct of all living creature in the universe.Therefore the consciousness of life and theconsciousness of reproduction has become the basic cultural consciousness of humandevelopment.Actually consciousness of reproduce is also consciousness of life and the theinfinite extension of life.All of that formate the Chinese chaos，Yin and Yang come from thechaos，all living things combined by Yin and Yang, things of life and growth in Chineseprimitive Philosophy.The Yin and Yang and life based on Chinese primitive philosophysystem, as the development of national culture gene from first to last throughout the wholeprocess of the development of national culture, and became a national group culture folk andculture connotation of subject.The entire Chinese nation, a cultural consciousness of a group, philosophy and nationalspirit. Like a tree, from the seven thousand or eight thousand years of the original ancientsociety has no fracture,it is a giant tree of life。This tree cross thousands of years until it isembodied in all of the social life。Building is the eternal embody of chinese nationalcosmology。Through the empirical research on the whole social life, belief taboo, life etiquetteand other aspects, it conclude that these symbols spread is most abundant in building.Through the research on the basic mode of vernacular architecture to understand the basicconnotation of primitive culture. The Juci Mountain--" holy mountain"," spirit mountain", isthe concentrated embody of human cultural genetic code.The Juci mountain primitive rockcarved symbols in primitive culture study has important significance.Taking Juci mountain primitive rock carved symbols and architecture basic mode as theresearch object, through the Juci mountain primitive rock carved symbols and architecture basic mode empirical study record, analysis and study, trying to interdisciplinary study basiccategory theory of science and cultural anthropology.Using the primitive culture andphilosophy theory and Chinese vernacular architecture philosophy combined with the basicprinciples of semiotics, this paper research and analysis the Juci mountain primitive rockcarved of symbols in the primitive cultural significance, as well as the basic mode ofresidential architecture in primitive culture and philosophy embodied。with picture analysisingprimitive rock carved of symbols and vernacular architecture basic mode makes a research onthe relationship between the common and different embodiments of symbols.The papercombine the cultural symbols and philosophy with the design of International rock art expocenter, applied research on design concept analysis and program design of Central ChinaInternational Painting Exhibition Center.Finally the cultural symbols and philosophy ’sgenetic code is presented. Cultural symbols and Philosophy genes codes Living heritage to allsocial life and a new topic for the development of human culture is presented too.更多还原