高海拔的力量

【作者】 牛乐；

【导师】 王胜利；

【作者基本信息】 西安美术学院 ， 美术学， 2012， 博士

【摘要】 在中国近现代美术史上，表现藏民族、藏区、藏文化的油画创作以超越了题材范畴的文化力量脱颖而出，以其独特的文化意蕴和美学追求成为新中国美术创作成果的重要组成部分。藏区题材油画的创作史，从一个侧面反映出近现代中国美术创作发展的真实历程，而藏区题材油画创作所表现出的雄阔之美、恢弘之气以及创作过程中艺术家们不畏艰险的探索精神一扫中国美术创作中日渐萎靡的文人话语和闭门造车的创作方式，成为新中国美术反思与进步的重要实践。藏区题材油画创作直面中国美术发展的真实需求，用刚健有力的精神追求充实了中国美术转型时期所欠缺的精神内涵，提升了中国当代美术创作的精神力度，并且用丰富的创作成果演绎出了具有纯正中国之美的油画语言，成为油画艺术中国气派的重要体现。作为时代精神的体现，藏区题材油画创作的主流始终以人的精神面貌与时代特征作为关注点，表现了对中华民族多元一体格局的认同、对民族审美精神的崇尚、对艺术创作真善美的追求，不仅客观的反映了藏区社会和藏族人民精神风貌的变迁，也成为新中国社会进步和民族进步的真实写照。更多还原

【Abstract】 The artistic oil-painting creation of the Tibetan people, area and culture is anoutstanding kind of culture force beyond the categories of subject in modern arthistory of China. With its unique cultural connotation and aesthetic pursuit, itbecomes an important part of art-creations in China.The creation-history of the Tibetan theme reflects the realcreation-experience of the artistic development of China. Meanwhile, not only hadthe magnificent beauty and the greatness it had shown delighted up the trend to ahigher level, but also the spirit of exploring and braveness the painters shown hadgreatly improved the means to create. Such experience has been consulted to thepromotion of the art in China.The oil-painting creation of the Tibetan theme has not only met the real needsof the artistic development but also embodied the connotation which was in thegreat lack in the transitional period of Chinese art. What’s more, it enhancedspiritual level of modern Chinese art. Since the fruitful achievements had perfectlydeduced the pure painting language in Chinese style, it becomes an essentialoil-painting manifestation with the identity of China.As the reflection of the epoch, the mainstream of the oil-painting creation inTibet have been focusing on the mental condition and the features of human all thetime. It expressed the recognition to the situation of being a pluralistic unit whichis the current situation of China. It advocated the aesthetic of nation and thepursuit of three principles: the truth, the good and the beauty as well. Byobjectively reflected the changes of the Tibetan society as well as the Tibetanpeople, it become a mirror which imaged the promotion socially and nationally ofChina, too.更多还原