【作者】 向宇；

【导师】 陈犀禾；

【作者基本信息】 上海大学 ， 电影学， 2012， 博士

【摘要】 李安是当代华语电影甚至世界电影中一个非常独特的个案。他往返穿梭于东方和西方、中国和好莱坞两种文化和艺术传统之中,并创造性地将它们融为一体。与此同时,李安电影也打破了商业与艺术、主流与边缘的界限,同时受到艺术电影市场和大众电影市场的欢迎。李安电影所体现出来的卓越的跨文化理解能力和跨界协商能力、以及雅俗共赏的品质值得研究。在艺术上,李安电影一方面继承了经典好莱坞语言,另一方面则巧妙地运用中国传统的艺术观念和表现手法、创造了一种特有的文人化艺术形式。在文化上,李安电影创造性地运用双重编码的方式再现中国,将不同的、乃至矛盾的话语立场缝合到同一个文本、甚至同一种符码中,使东西方均能从中找到合适的观看/认同的位置。他一方面从离散华人的角度想象中国,另一方面也与东方主义美学进行合作。在性别方面,李安电影常常将边缘的性别身份——女性和同性恋——置于叙事的核心位置。它们在一定程度上打破了主流的性别再现模式,但并没有从根本上动摇主流的性别秩序和性别观念。其电影积极肯定同性恋的合法权利,但又总是消解同志身体和欲望的异质性、挑战性。其电影的女性想象与流行女性主义密切相关,但这些强有力的女性形象事实上反复确证了父权制象征秩序的合法性。只有《色戒》通过对父权制民族国家的批判、对女性性别表演的再现以及对女性身体欲望的肯定建构了一种真正的女性主义话语。更多还原

【Abstract】 Ang lee is a very unique case in the contemporary Chinese-language film or world film. He swam back and forth between the east and the west, China and Hollywood. These are two kinds of culture and art traditions, which he try to blend together creatively. At the same time, Ang lee’s Films also transgressed the boundary between commercial and Art, the mainstream and the marginalization, and were popular with the popular cinema market and the art cinema market both. His films reflect such advantages as the excellent cross-cultural understanding ability, the Negotiation ability and the quality of suiting both refined and popular tastes, which are worth studying.Ang Lee inherited the basic languages of the classical Hollywood cinema.By applying Chinese traditional artistic idea and expression in the films, Ang lee creates a distinct art form of literati. In culture, Ang lee’s films use the ways of duble coding to represent China. He made a suture of different even contradict discourses in the same text, even in the same code, which helping the east and west can find an appropriate view or identity position. On the one hand, He imagined China in the view of diasporic Chinese; On the other hand, he cooperated with the orientalism also. His films usually put the marginalized gender identity-- Women and gay-- in the core of narrative. It broke the mainstream representation mode of gender, but didn’t shake the mainstream gender order and gender concepts fundamentally. His cinemas affirm positively the legal rights of homosexuality, and yet avoid expressing defiance and heterodoxy of the appetites and the body. His representation of women in cinemas related closely with pop-feminism, But these images of powerful women in fact repeatedly confirmed the legitimacy of patriarchal symbolic order. By criticizing patriarchal nation-state, representing the gender performance of women, emphasizing the value of female body desire,"Lust, Caution" built a true feminist discourse.更多还原