节点文献
唐代太常、教坊乐官研究
A the Study of Music Officials in Tai Chang and Jiao Fang of Tang Dynasty
【作者】 任飞；
【导师】 王耀华；
【作者基本信息】 福建师范大学 ， 音乐学， 2011， 博士
【摘要】 中国的乐官制度肇始于商末,发展于魏晋南北朝,而成熟于隋唐。作为中国历史上最强盛的王朝之一,唐代音乐呈现出了前所未有的中国音乐国际化和国际音乐中国化的繁荣局面,而唐代乐官制度的成熟与完善为这种繁荣的音乐局面提供了制度上的保障,同时,也为后世乐官制度的继续延续与发展提供了必要的模本。如果作为中国音乐文化主体的专业乐工从实践上保证了中国音乐的顺利传承与发展,那么,作为专业乐工的直接领导者的乐官则是从思想、制度上保证了中国音乐的顺利传承与传播,对于乐官这个群体的研究可以直接印证唐代音乐文化的发展状况,透视唐代礼乐制度的辉煌与完善,了解唐代上层社会的音乐文化生活,甚于对研究整个唐代的社会生活也有一定的借鉴作用与意义。本文这里选择了在唐代国家音乐生活中占有绝对重要地位的太常寺和教坊中的乐官为研究对象,从中国古代官制的角度出发,运用文献学、史料学、文字学、社会学、管理学等多学理交融的方法,对乐官的机构、职能、铨选、俸禄、考核、乐官与音乐活动的关系等相关问题进行综合探讨,为从整体上窥视整个唐代乐官提供必要的理论支撑和依据。
【Abstract】 The music official system of china began with end of Shang dynasty, developed in Wei,Jin,Southern and Northern dynasty; and reached maturity in Tang dynasty. As one of the most powerful dynasties in Chinese history, music of Tang dynasty presented an unheard-of prosperous situation that Chinese music and international music were translating into each other, at the same time, the maturity and perfection of music official system provided protection for this prosperous situation, and provided an essential model for the continuity and development of after music official system.If we say that the most important part of Chinese music culture—professional musicians made a contribution to the inheritance and development of traditional Chinese music through practice, as the leaders of professional musicians—music officials made a contribution to inheritance and distribution of traditional Chinese music through thought and system. The study of music officials could reflect the status of development of Tang’s musical culture, show the prosperity and perfection of ceremony system, and understand the musical culture of upper classes, even make a contribution to research into all of the Tang society.This study selects the music officials who play an important role in Tai chang temple and Jiao fang for research object, departing from the angle of ancient chinese bureaucracy, making use of multidisciplinary approaches such as bibliography, historical materials, studies on Chinese characters, sociology, management science and so on, to research into music official institution, music official’s function, selection, salary, assessment, relationship between music official and music activities and so on, and to provide necessary theoretical basis and support for understanding all of the music officials in Tang dynasty.