【作者】 李鸽；

【导师】 刘松茯；

【作者基本信息】 哈尔滨工业大学 ， 建筑设计及其理论， 2011， 博士

【摘要】 当代西方先锋主义建筑是当代前沿文化思想、技术水平和哲学理论的重要载体,是建筑发展的重要风向标。它们呈现出来的美学特征承载着当今时代的最高审美理想。从形态的角度,对当代西方先锋主义建筑作品展开的研究是破解当代建筑审美迷局的一个重要途径,也是预见建筑未来发展走向的一个重要视阈。本文借助文化社会学的研究方法,以当代西方先锋主义建筑作品为研究对象,从建筑形态的角度入手,借助现代建筑理论和美学理论的研究成果,分别从大众化、“非人化”、技术化和哲学“互文”四种倾向来阐释当代西方先锋主义建筑所呈现出来的各种美学特征,从宏观上把握当代西方先锋主义建筑的总体美学概况和未来走向。论文通过梳理当代西方先锋主义建筑缘起脉络,总结出其自身特质。通过分析当代西方先锋主义建筑形态的美学基因构成,阐释出当代先锋艺术与建筑审美理念之间的微妙关系。在分析当代西方先锋主义建筑形态审美语境的过程中,阐述其多元化形态审美理念产生的客观必然性。论文明确界定了大众和大众文化的概念,指出了部分当代西方先锋主义建筑形态审美表现出大众化倾向的美学特点。根据建筑作品体现出来的文化类型不同,按照传统经典、日常生活和大众娱乐三个文化类型,分析这些作品中典型的创作手法,解读其呈现出来的美学特征。指出当代西方先锋主义建筑作品在形态上的这种审美表达方式是当代前卫建筑师们对现代建筑同一性审美困局的及时破解,丰富了人们的审美对象范畴,启动了当代建筑审美解放的进程。论文提出了部分当代西方先锋主义建筑作品在形态上会呈现出“非人化”倾向的美学特点。通过对“非人化”美学倾向的阐释,从非完善、非秩序和非稳定这三个角度来解读当代西方先锋主义建筑形态所呈现出来的美学特征。指出这种审美表达方式是当代西方先锋主义建筑作品与传统建筑审美经验彻底决裂的表现。它解放了人们的审美思维模式,为当代建筑美学疆域的拓展探索出一个全新的方向。论文分析了技术在当代西方先锋主义建筑审美表达中扮演的角色,并指出技术已经引申为一种文化裹挟在建筑审美范畴之内。按照其在审美表达中的渗透程度,从极限技术、艺术技术和数字技术三个方面论述当代技术对建筑形态审美产生的重要影响。还指出当代西方先锋主义建筑的技术化审美表达方式是对传统建筑技术审美的扬弃。它充分挖掘了技术在当代建筑中的美学属性,巩固了技术文化在当代建筑审美中的地位和意义。论文引入了“互文”这一概念,来讨论哲学参与部分当代西方先锋主义建筑形态审美表达的相关问题。首先,论述了后现代哲学中的“中心”在当代西方先锋主义建筑作品中的角色变迁;其次,阐释了结构主义哲学中的“事件”在当代西方先锋主义建筑的非理性创作中扮演的角色;最后,分析了部分当代西方先锋主义建筑美学特征与新型理论之间的内在关联,并最终找出当代哲学对建筑审美产生影响的范围和轨迹。总之,论文对当代西方先锋主义建筑的研究是以形态审美为着眼点,得出的是一种理论性的分析成果。所讨论的问题都与建筑形态的审美表达方式相关。论文试图用一个明晰的研究结构,根据当代西方先锋主义建筑形态所呈现出来的美学特点进行分类研究,从文化、艺术、技术、哲学等的角度来全面解读当代西方先锋建筑作品。更多还原

【Abstract】 The Contemporary Western Avantgardism Architecture is the important carrier of contemporary leading culture, technique, philosophy and the direction of architecture development. The aesthetic character they carry represents the crowning aesthetic ideal in present age. On the point of shape, the research on Contemporary Western Avantgardism Architecture is an important way of unscrambling the labyrinth of contemporary architecture aesthetics and an important visual threshold of forecasting the architecture development in future.In this paper, a variety of aesthetic characters of Contemporary Western Avantgardism Architecture are explained on four aspects, popularization, dehumanization, technicalization and philosophieren, on the basis of which cultural sociology is introduced and the Contemporary Western Avantgardism Architecture is concerned as a research object, on the point of architecture shape, with the research findings of modern architectural theories and aesthetic theories. And the entire aesthetic overview and trends of Contemporary Western Avantgardism Architecture is grasped as a whole.The autologous speciality of Contemporary Western Avantgardism Architecture is summarized by hackling his original viens in this paper. The delicate relationship of aesthetic idea between contemporary art and architecture is interpreted by analyzing the aesthetic genes constitute of Contemporary Western Avantgardism Architecture. The objective necessity that diversity aesthetic ideas of shape come into being is interpreted in the process of analyzing the aesthetic context of Contemporary Western Avantgardism Architecture.The concept of Mass and Mass Culture are defined, and the shape aesthetics of a fraction of Contemporary Western Avantgardism Architecture presents the aesthetic character in the popularization tendency. According to three culture types, traditional classic, daily life, universal entertainment, the aesthetic characters are unscrambled by analyzing the typical creation ways. Pointing out that the aesthetic representation of Contemporary Western Avantgardism Architecture shapes is that avant-garde architect breakthrough the unifying aesthetic predicament of modern architecture timely, the realm of aesthetic objects is enriched and the liberating process of contemporary architecture switches on.The shapes of a fraction of Contemporary Western Avantgardism Architecture present the aesthetic tendency of dehumanization. The aesthetic character of the architecture is unscrambled on three aspects of non-perfection, non-order, non-stability by interpreting the aesthetic character of dehumanization. The aesthetic representation indicates that the aesthetic experience on Contemporary Western Avantgardism Architecture break with traditional architecture thoroughly. It liberates people’s aesthetic thinkingmodels and explores a new direction for the widening of the contemporary architecture aesthetics domain.The role that technique plays in the aesthetic representation of Contemporary Western Avantgardism Architecture is analyzed in the paper. And technique extending to be a culture is involved in the realm of architecture aesthetics. According the technical penetration in the aesthetic representation, the important influence that the technique has on the aesthetics of architecture shape is discussed on three aspects, terminal technique, art technique and digital technique. The technicalization aesthetic representation of Contemporary Western Avantgardism Architecture abrogates traditional architecture technique aesthetics. It exploits the technical aesthetic properties in the contemporary architecture thoroughly and strengthens the technical status and significance in contemporary architecture aesthetics.The concept of intertextuelle is induced to discuss the relevant issues that philosophy participates in the aesthetics representation of Contemporary Western Avantgardism Architecture. Firstly discussing the role transition that centre of postmodernism philosophy plays in Contemporary Western Avantgardism Architecture; secondly, interpreting the role that the events of structuralism play in the irrational creation of Contemporary Western Avantgardism Architecture; lastly, analyzing the intrinsic relationship between the aesthetic character of a fraction of Contemporary Western Avantgardism Architecture and the new theories, and finding out the boundary and trace that contemporary philosophies have effects on architecture aesthetics.In a word, this paper researches on Contemporary Western Avantgardism Architecture on the point of shape aesthetics and concludes a theoretical result. The issues discussed are related to the aesthetic representation of architecture shapes. According the aesthetic characters that Contemporary Western Avantgardism Architecture present, the paper tries to have a typed research from the points of culture, art, technique and philosophy to interpret the Contemporary Western Avantgardism Architecture generally with an explicit research structure.更多还原