【作者】 曾四凯；

【导师】 范景中；

【作者基本信息】 中国美术学院 ， 中外美术史， 2011， 博士

【副题名】意大利文艺复兴绘画的鉴定大师伯纳德·贝伦森

【摘要】 本篇论文通过追溯从乔治·瓦萨里直至乔瓦尼·莫雷利的鉴定理论发展,回顾了在鉴定发展历程中起推动作用的几位具有代表性的美术史家及其与鉴定相关的重要理论,然后逐渐把焦点汇聚于伯纳德·贝伦森——莫雷利科学鉴定理论最重要的继承者和实践者,研究其鉴定成就和学术成就带来的巨大影响,让国人更加了解贝伦森这位伟大的鉴定家。并且他的个人收藏体现出他对中国古代艺术的关注,同时亦是东西方艺术交流与融合的例证。本论文将分为四个部分详细讨论鉴定学理论的发展以及伯纳德·贝伦森的个人成长经历及其成就和影响。在第一章中,首先介绍鉴定学的发展历程,将会详细介绍从乔治·瓦萨里、罗杰·德皮勒、乔纳森·理查德森直至乔瓦尼·莫雷利等标志性人物对于鉴定学的基本观念和鉴定理念以及他们在鉴定学发展历程中所发挥的作用,从而大致呈现出鉴定理论发展的脉络。第二章,将会介绍乔瓦尼·莫雷利最具影响力的追随者——著名鉴定家伯纳德·贝伦森的生平。在第三章中,将会着重讨论伯纳德·贝伦森的思想根源、他的学术成就以及鉴定成就。第四章则集中讨论了从伯纳德·贝伦森的艺术鉴藏中体现出来的东西方艺术的交流与融合。更多还原

【Abstract】 This dissertation retrospectively summarizes the theoretical development from Giorgio Vasari to Giovanni Morelli and reviews several representative art historians and their important theories, and then focuses on Bernard Berenson——the most influential follower of Morellian scientific connoisseurship. The author of this dissertation (hereafter referred to as the Author) makes a research on Berenson’s achievements in connoisseurship and his scholarly attainments, which would give the Chinese readers a better understanding of the great connoisseur, whose collection might show his concern for Chinese ancient art and the communication of Eastern and Western art.The Author elaborates the scientific connoisseurship in four parts. The first chapter introduces the development of the scientific connoisseurship from Giorgio Vasari, Roger de Piles, Jonathan Richardson to Giovanni Morelli. The second chapter makes a brief biographical introduction to Giovanni Morelli’s most influential follower—Bernard Berenson, his experience of life, his friends and relationships. Then, in the third chapter, the Author tries to analyze Berenson’s scholastic achievements and his attainments in connoisseurship. In the last chapter, from the perspective of Berenson’s art collection, the Author probes into the harmonious communication and integration of Oriental and Occidental art.更多还原