【作者】 王庆斌；

【导师】 张福昌；

【作者基本信息】 江南大学 ， 产品系统设计及理论， 2010， 博士

【摘要】 传统手工艺文化在中国的文化产业中占有相当重要的份额,在大力发展和振兴文化产业之际,为了传承传统工艺美术和发扬传统文化,本课题以禹州传统手工艺钧瓷为例,借鉴意象概念并结合现代系统设计理论对传统钧瓷文化以及钧瓷色彩进行了深入、系统、科学的分析与研究,以期探索如何保护钧瓷传统手工艺及其产业,为传统手工艺的保护和发展提供合理的方法和建议。本课题研究目的旨在保护和传承钧瓷传统手工艺,并振兴禹州钧瓷产业。具体目的还有:建立系统科学规范的钧瓷色彩分类和体系;寻求一个评价钧瓷色彩的概念和方法;建立一套评价钧瓷色彩的意象尺度法;实验绘制出钧瓷色彩和烧制温度的关系曲线图。论文的主要内容包括:第一章绪论,首先阐述了课题的研究以发展和振兴文化产业的契机,以传承和更新传统工艺美术的使命,以继承和发扬传统文化的责任开展的,其次是表明了课题的研究目是为了建立一个钧瓷色彩分类体系、寻求一套评价钧瓷色彩的方法、探求一种钧瓷色彩和烧制温度的关系,第三,课题具有提供了研究传统钧瓷工艺思路的社会意义、指导钧瓷色彩生产和振兴钧瓷产业的现实意义,最后介绍了相关研究现状和研究的方法;第二章文献综述及相关理论探讨,探讨了有关陶瓷、钧瓷、色彩及陶瓷色彩、意象的主要著述以及其它相关主要理论;第三章钧瓷的艺术价值及发展现状探析,简单介绍了钧瓷的产生及发展,钧瓷的工艺特点与艺术特征,钧瓷的艺术价值和历史地位,以及钧瓷的现状及存在的问题;第四章钧瓷意象及经典之“象”分析,首先阐述了意象的概念及相关内容,其次探讨了钧瓷的文化、艺术及符号内涵,第三详细分析了钧瓷意象要素及经典之“象”;第五章钧瓷色彩的调查与实验,首先是对钧瓷进行了比较全面的调查,其次是对钧瓷色彩进行了专门的调查,第三,在调查的基础上,设计进行了钧瓷色彩意象实验,并分析了实验结果;第六章钧瓷色彩特征的系统分析,首先阐述了中国古代陶瓷色彩和钧瓷色彩艺术特征,以及不同时期的钧瓷色彩特征,其次系统分析了钧瓷色彩各要素的特征,并与其它四大名瓷的色彩意象进行了比较研究,第三分析了钧瓷色彩的意象构成;第七章钧瓷色彩的分类方法及其体系构建,首先阐述了传统的钧瓷色彩的命名和分类,其次剖析传统的钧瓷色彩体系及按意象分类建立的钧瓷色彩体系,第三阐述了现代数字化钧瓷色彩的表示方法和体系构建;第八章结论,进行了总结和展望。课题研究的创新点:对传统钧瓷色彩进行了科学系统的分类并构建了数字化的钧瓷色彩体系;把意象概念和理论应用于钧瓷色彩的评价;把现代工业设计的系统设计方法引入到传统手工艺钧瓷文化产业的振兴。本课题后续研究的方向:对全面设计和开发各种新用途和新领域的钧瓷的研究;对整个钧瓷产业系统及其设计系统的深入研究。更多还原

【Abstract】 Traditional handicrafts cultures are possessed of a quite important share of culture industries in china. At the time of culture industries are being greatly developed and vitalized, in order to inherit traditional arts and crafts and carry forward traditional cultures, this subject takes Jun porcelain the traditional handicraft in Yuzhou for example, using the concept of imagery for reference and combining with modern system design theories, carries out in-depth, systematic and scientific researches into the traditional culture and color of Jun porcelain, to probe into protection of Jun porcelain the traditional handicraft and its industry, providing rational methods and suggestions for protection and development of traditional handicrafts.The research purposes of this subject are to protect and inherit traditional handicraft of Jun porcelain, moreover, to vitalize Jun porcelain industry of Yuzhou. Specific purposes also includes: establishing normative scientific systematic color classification and system of Jun porcelain; questing for a concept and method of evaluating Jun porcelain color; constituting a set of imagery metric methods to evaluate Jun porcelain color; experimenting and drawing relation curve graph between Jun porcelain color and firing temperature.The main contents of this paper are: chapter one exordium, which firstly expatiates on research backgrounds of the subject, including development and revitalization opportunities for cultural industries, missions to inherit and update traditional arts and crafts, obligations to inherit and carry forward traditional culture, secondly indicates that the research purposes of the subject are to establish a classification system for Jun porcelain color, seek a series of evaluation methods for Jun porcelain color, search for connections between Jun porcelain color and the firing temperature, thirdly the subject possesses social significance for research ideas of traditional Jun porcelain crafts, and practical significance of instructing production of Jun porcelain color, in the end presents relevant research actualities and methods; chapter two literature review and related theories studies, which discusses the main writings about ceramics, Jun porcelain, color, ceramics color, imagery and other related theoretical studies; chapter three exploration of artistic value and development situation of Jun porcelain, which simply introduces generation and development of Jun porcelain, technology and artistic characteristics of Jun porcelain, artistic value and historical status of Jun porcelain, current situations and existing problems of Jun porcelain; chapter four imagery of Jun porcelain and analysis of the classic“image”, which first expatiates on the concept of imagery and related contents, next probes into culture, art and connotation of Jun porcelain, thirdly performs detailed analyses of Jun porcelain imagery factors and the classic“image”; chapter five investigations and experiments of Jun porcelain color, which first carries out a relatively comprehensive investigation of Jun porcelain , then performs a special investigation of Jun porcelain color, thirdly , based on these investigations, designs and carries forward experiments of Jun porcelain color imagery, and analyses the experimental results; chapter six systematic analysis of Jun porcelain color characteristics, which first expatiates traditional ceramics color of china, artistic characteristics of Jun porcelain color, and characteristics of Jun porcelain color for different periods, next systematically analyses characteristics of each Jun porcelain color factors, and compares Jun porcelain color with other four great porcelains, thirdly analyses imagery composition of Jun porcelain color; chapter seven classification methods of Jun porcelain color and its system construction, which first expounds traditional naming and classification of Jun porcelain color, then dissects traditional Jun porcelain color system and Jun porcelain color system based on imagery classification, thirdly expatiates on the representation methods and system establishment of modern digital Jun porcelain color; chapter eight conclusions, which carries out the summarization and expectation.Innovative points of this subject research are: introducing imagery concept and theories into Jun porcelain color evaluation; introducing system design theories of modern industrial design into Jun porcelain industry the traditional handicraft of Yuzhou; carrying out scientific systematic classification of traditional Jun porcelain color and digitized representation of every collected Jun porcelain glaze color.Directions for future research of this subject are: research of overall design and development of Jun porcelain in various kinds of new areas and for new uses; in-depth study of entire Jun porcelain industry system and design system.更多还原