【作者】 刘冰；

【导师】 马振庆；

【作者基本信息】 齐齐哈尔大学 ， 设计艺术学， 2014， 硕士

【摘要】 二十一世纪经济科技迅速发展，中国城镇化建设力度加大。新的历史背景下，城市的政治、经济、文化建设要与时俱进，树立独特魅力的新面貌。现代城市与公共艺术的结合，给城市带来全新面貌，深刻挖掘城市的文化内涵，为城市注入时尚活力。现代公共艺术诞生于上世纪六十年代，城市以优秀公共艺术品而扬名世界的成功案例众多。齐齐哈尔市是中国北方文化名城，老工业基地，中国魅力城市，拥有世界级湿地资源“扎龙自然保护区”。中国传统文化中，对鹤的理解阐释深刻，有用多重寓意和丰富艺术美感。鹤文化与城市公共艺术相结合，凸显齐齐哈尔市的文化特色、地域特色、政治经济特色。本文对齐齐哈尔市公共艺术设计提出具有实际操作意义的应用原则。首先，鹤文化艺术设计功能原则。城市规划体系体现鹤文化，注重鹤文化宣传，广泛开展鹤文化主题活动；注重地区经济发展，开展鹤文化创意商业活动；塑造城市新面貌，创设有艺术性、公众性的鹤文化艺术品。交通节点体现鹤文化，城市入城口，创设迎接八方宾客的大型艺术作品，展示鹤城人的热情、好客，一种亲切的回家的感觉。第二，鹤文化公共艺术品体现文化原则。充分运用鹤文化的美好寓意，合理装置公共艺术品，从各种艺术设计因素考虑鹤文化内涵与装置区域特点，有机结合两者需求。体现齐齐哈尔鹤文化的独特性，齐齐哈尔鹤文化是不可复制的，多民族共同生活的印记、绿色湿地环境、北国冰雪风光为鹤文化注入新的时尚元素，体现鹤文化的独特魅力。第三，鹤文化艺术设计的形式原则。鹤文化公共艺术品形式多样，色彩上综合考量城市自然景观特点，从城市主体建筑，辅助艺术品、城市流动色彩进行分析，凸显城市的个性与文化底蕴。造型上要将现代性与传统性相结合，有选择地进行合理化装置。材料方面注重自然环保，注重现代新型材料的使用，临时性公共艺术品的装置，体现艺术品的新颖性、群众互动参与性。更多还原

【Abstract】 The construction of the urbanization in China has been increased along with the rapideconomic developments in the twenty-first century. Under this new historic background,cities shall build up new distinctive and charming faces to keep pace up with thedevelopments of politics, economies and cultural constrictions. To combine modern cities andpublic arts together will not only bring the cities whole new outlooks, but also help cities formining the profound cultural connotation and injecting fashion vitality.Modern public art started in the last60’s and there have been many successful caseswhich cities with superior public arts got famous all around the world. Qiqihar is not onlypopular as the famous cultural city, the old industrial base and charm city in Northern China,but also has the world-class wetland “Zhalong nature reserve” located here. In the traditionalChinese culture, cranes are of many profound understandings, multiple meaning and richartistic feelings. Culture of crane has been deeply connected with local public arts to highlightthe cultural, regional, political and economic characteristics.The application of the principle of practical for the design of public art in Qigihar city.First of all, the crane culture art design principles. Reflect the crane culture city planningsystem, pay attention to crane culture propaganda, to carry out a wide range of crane culturetheme activities; focus on regional economic development, development of cultural andcreative business crane; shaping the city a new look, the creation of artistic, the public natureof the crane culture art. Traffic node reflects crane culture, city mouth, creating eight partyguests to meet the large-scale works of art exhibition, Hecheng people’s enthusiasm,hospitality, a warm feeling of home. Second, crane culture public art embodies the culturalprinciple. Make full use of meaning beautiful crane culture, reasonable device of public art,considering the cultural connotation and regional features of crane device from a variety of artdesign, the combination of both demand. Reflect the unique culture of Qigihar Qigihar crane,crane culture can not be copied, the common life multi nationality mark, green wetlandenvironment, snow and ice in the North scenery for the crane culture elements into a newfashion, reflect the unique charm of crane culture. Third, form principle culture art design ofcrane. Crane culture and public art forms, the color on the comprehensive consideration of thenatural landscape characteristics of city, from the city main building, auxiliary works of art,city floating color analysis, highlighting the personality and cultural city. Other should bemodern and traditional combination, reasonable device for selectively. Materials focus on thenatural environment, pay attention to the use of new materials, device temporary public art,reflects the novelty, the masses to participate in interactive art.更多还原