帕慕克小说中的文明冲突与对话

【作者】 李蒙；

【导师】 张曙光；

【作者基本信息】 黑龙江大学 ， 比较文学与世界文学， 2009， 硕士

【摘要】 奥尔罕·帕慕克的作品所呈现的是大部分中国读者不为熟知的伊斯兰世界。因为宗教和相对封闭等一些原因而产生的隔阂使我们对这个世界不甚了解。幸运的是,帕慕克及其作品的出现为我们敲开了“冰山的一角”。国内对帕慕克及其作品的研究还停留在起步阶段,而国外已经日渐成熟。基于这些基础,本文初步探讨了作家帕慕克作为个体的人和作为土耳其这个群体的一员在文明转型期所呈现出的新特征。而且,本文对帕慕克的代表作的艺术特色和思想内涵进行了有力地分析。从而证明了他作品中所蕴含的文明的冲突与差异、和谐与共融。作家以这种文明混杂性的形式探索着不同文明间“对话”的新途径。本文力求从这个角度,系统地展示作家帕慕克和他的作品中的多元文明世界。更多还原

【Abstract】 It demonstrates the Islamic world by Orhan Pamuk’s works, which is unknown to most of Chinese readers. As Chinese readers, we are not familiar with it, since it blocks itself out and the reason of its religion as well as other reasons also lay barriers to us. Fortunately, the emergence of Pamuk’s works open up“the tip of the iceberg”by just striking it.In China, the study of Pamuk and his works is on the beginning, while getting the period of maturity abroad. Based on these studies, this thesis primarily discuss the writer Pamuk as an individual as well as a member of the mass Turkish, and the role he plays as a new symbol in the period of transformation. Furthermore, this thesis commits itself to analyze the artistic feathers and the connotation of Pamuk’s magnum opus. It thus proves the conflict and discrepancy as well as the harmony and amalgamation in his works. By the form of interweaving cultures, Pamuk is seeking new ways of the“conversation”between civilizations. From this point of view, this thesis tries to systematically demonstrate Pamuk and the multicultural world in his works.更多还原