【作者】 石冢美津子；

【导师】 顾震岩；

【作者基本信息】 中国美术学院 ， 花鸟， 2008， 硕士

【摘要】 本文以宋代花鸟画与日本绘画的关系为主题,特别关注宋代院体花鸟画并论述日本狩野派对其的接受过程。在第一章“宋代花鸟画在日本的集散”中,参照史料而考察在日本收藏和欣赏宋代花鸟画的情况。日本专门著录中国艺术品的《君台观左右帐记》于1524年前后成书,成为欣赏中国美术的典范,从此书的撰著可以看出日本对宋代绘画的关心,尤其是宋代院体花鸟画。《君台观左右帐记》参考了院体样式形成时期的《宣和画谱》以及继承其见解的《图绘宝鉴》,编辑而成以中国古代画家为主的画家名录。将这些史料的相同记载进行比较。可以得知以赵昌等作品为代表的写生表现和鲜明华丽的色彩被认为是宋代院体花鸟画样式的主要特征。在第二章“宋代花鸟画”中,为确认宋代花鸟画与院体样式的历史地位,概论宋代花鸟画审美思想的变迁与技法材料方面的发展。在第三章“日本对宋代花鸟画的接受”中,论述宋代花鸟画被狩野派接受的过程。概述狩野派的历史,介绍在中国绘画方面造诣深厚的画家,如探幽、安信和常信。由日本现存“缩图”之类的史料可知,虽然随着时代迁流,元明以后的绘画也传到了日本,但对宋代院体花鸟画的兴趣依然不衰。尤其是赵昌的风格,它被钱选继承而由狩野派吸收到他们的样式之内。如此,以院体花鸟画为中枢的宋代花鸟画由狩野派的画塾组织继承,影响了日本绘画达数世纪之久。在第四章“附记”中,本文笔者选择宋代院体花鸟画作品而进行临摹。拟通过临摹,体会色彩表现与各种材料的技法特征。更多还原

【Abstract】 In view of relationship between Flower and Bird paintings of Song Dynasty and Japanese traditional paintings,this thesis is to describe how Japanese painting school called Kano family assimilated the style of such Chinese paintings.In Chapter 1 "Collection in Japan of Flower and Bird paintings of Song Dynasty",based on Japanese historical material Kundaikansouchouki as well as Chinese historical materials Xuanhe Huapu and Tuhuibaojian,analyze circumstances in Japan during the medieval era of collection and appraisal of Flower and Bird paintings of Song Dynasty. Among such paintings,the courtly style of Northern and Southern Song Dynasties had been highly valued in Japan because of vivid colors and realistic expression.It is possible to say that paintings by Zhao Chang and some other courtly painters had been recognized as the typical examples of such style and held in high esteem by Japanese collectors at that time.In Chapter 2 "Flower and Bird paintings of Song Dynasty",in order to confirm the historical background of such genre and the courtly style of Northern and Southern Song Dynasties,review changes of aesthetic thoughts and development of painting techniques.In Chapter 3 "Assimilation in Japan of Flower and Bird paintings of Song Dynasty", introduce Japanese painting school Kano family and its history to describe how Kano family had studied and adapted features of such Chinese paintings to their own styles. Kano family created the main stream of Japanese art history from 15^thcentury to 19^th century and is recognized as the leading academic school through this period.Because Kano family had kept close relationship with the successive governments nearly 400 years,they had great influence over Japanese paintings in terms of education,evaluation and creative activities.They had studied Chinese paintings that had been imported to Japan and held by the governors.Among others,they had been imerested in the courtly style of Northern and Southern Song Dynasties,thus this style had influenced Japanese paintings through the network of Kano family.In Chapter 4 "Appendix",select some typical works of the courtly style of Northern and Southern Song Dynasties,practice reproduction of such works and understand technical features.更多还原