【作者】 刘君；

【导师】 姜静楠；

【作者基本信息】 山东师范大学 ， 电影学， 2008， 硕士

【摘要】 历史迈入新的世纪,中国电影迎来新的百年。2000年前后的中国电影业面临着好莱坞电影的“大举入侵”和国产电影产量与收益的大滑坡,挑战与压力空前巨大。此时,电影管理层推出一系列救市措施,相继颁布新的《电影管理条例》和《摄制电影许可证(单片)》等政策法规,并把电影定位为一种产业。同时,随着大众文化的升温,DV等技术条件的普及,催生出了新的导演群体。这一群体虽然在同一时间首掌导筒,但从其构成上看,他们身份各异,作品千差万别,故此,成为了中国电影“无代的一代”。论文由五部分组成。第一部分,主流意识形态电影。通过对新导演创作的“主流意识形态电影”进行分析,总结出他们对主流的选择是一种积极主动的行为,而且他们把主流意识与电影结合得恰到好处,实现了体制、电影创作者与观众的多方共赢,为当下中国电影构成提供了新的产业增长点。第二部分,艺术电影。本章进一步把艺术电影细化为“作者电影”和“新主流电影”,通过对这两种形态的电影进行研究,可以看出艺术电影导演对电影产业的认识逐步深化,努力寻求观众认同和市场承认的发展方向。第三部分,商业电影。新导演在当下的商业电影创作主要表现为低成本的喜剧电影和催人泪下的“苦情电影”。本章总结了这部分商业电影的经验和不足,在肯定其成绩的同时也指出了其在当下电影产业中自我与客观环境的双重局限。第四部分,把新导演放在整个中国电影产业环境下进行考量,阐述当下中国电影生态环境的畸形,即商业被忽视,艺术反而成为支撑,这与中国电影的产业发展要求相违背,不能形成良性的产业机制。第五部分,结语。通过对新导演本身“无代的一代”和其创作实践多样性的分析研究,以及对他们浮出水面近十年成绩的测评,总结出他们对中国电影的产业贡献日益加大,使国产电影的品牌价值得到提升。向市场靠拢已经成为一种集体自觉,我们有理由期待,在电影导演更新换代的历史更替中,这一群体能够从中国电影的中间力量成长为中坚力量,成为中国电影在新世纪的真正“继承人”。更多还原

【Abstract】 Chinese film is welcomed coming to a new hundred years with history strides to enter the new century.Before and after the year of 2000,Chinese film was confrongted with a invade on a large scale of Hollywood film . At the seam time, the output and avails of the Chinese film itself are reduced by large margins. Under such circumstances, the film management carry out a series of polices.For example,“The movie manages regulationand”,“Produce film licence(Single slice)”and others. In the meantime,go over with the mass culture rising, DV waits for the requirement popularizing , hasten child delivery having put up the new director group.Although this one group lead a tube in same for a short while first palm , judging from whose formation, their dignity has been respectively different , work tremendous difference, has become " No generation generation of generation". The main body of a book aim at basing self on Chinese film estate in the instantly, from the person creates practice starting, direction discussing this new director group location in entire Chinese film job, and studying whose exists and develops. The thesis is composed of five parts.Part I , main current ideological film. By the fact that "ideological form film carries out analysis on the main current" that the new director creates, summing up out their choice to main current is one kind of initiative behavior , they are aware of main current and film is just perfect combining with having to and, have realized system , film author and audience have won in many ways together , have provided new estate to Chinese film formation in the instantly to increase point.Part II , art film. Seal goes a step further with thin Hua Wei art film "author film " and "new main current film ", studies the cognition being able to perceive art screen director to film estate deepens step by step , effort explores the development direction that audience acception and the marketplace admit by the fact that the form film is in progress to this two kinds.Part III , commerce film. The new director creates main comedy film showing for low cost and weepy "bitter feeling film " in commerce in the instantly film. Seal has summed up this part commerce film experience and deficiency , has also pointed out whose double limitation being hit by oneself and the objective environment in film estate in the instantly while affirming whose achievement.Part IV, readjusts oneself to a certain extent with new director in entire Chinese film estate being in progress under the environment having a test in amounts , the deformity setting forth the Chinese film ecological environment in the instantly, is commerce be ignored , art becomes on the contrary prop up, the desire for development goes against this and Chinese film estate each other , the estate being able to not form a benign is machine-made.Part V , concluding remarks. Study by the fact that self "having no generation generation of generation" with the person creating the analysis carrying out diversity to new director, close achievement in 10 measuring judges as well as they came to the top, sum them up out contributing the brand value enlarging gradually , making film domestic to Chinese film estate being advanced. Draw close to the marketplace already becoming one kind of collective consciousness , our there being a reason expected that, history renovating and upgrading in a screen director replaces middle , this one group is able to grow up from Chinese film centre strength and become a core force , becomes the real Chinese film "heir" in new century.更多还原