中国现当代写意性油画中的抽象因素

【作者】 王冠亚；

【导师】 曹生龙；

【作者基本信息】 扬州大学 ， 美术学， 2013， 硕士

【摘要】 众所周知,油画并非起源于中国。油画自传入中国之后,就不可避免地与国内本土写意艺术观念发生一系列的碰撞、融汇和转化,逐渐形成了能够体现中国人真实的精神状态,并蕴含着画家的社会本土责任感和民族文化认同感的写意性油画。当我们把注意力投向中国写意性油画的具体创造上时,中国传统的写意精神与艺术中普遍存在的抽象因素两者之间交叉、重合的关系就格外地突显。如何以理性的头脑融汇中西,使观者能够在理解中西差异的基础上坚守民族优良传统,发扬写意精神,笔者认为这仍是中国当代油画所面临的一个问题。然而在艺术发展的趋势从现代艺术的发展自具象转向抽象,再到当代艺术朝向多元化发展的同时,虽然目前国内已有大量写意性油画作品表现出对抽象因素不同程度的运用,但一直以来我国对抽象理论的归纳、总结还不够完善。很多人对抽象并不理解,并没有感悟到抽象绘画体现出纯粹的抽象化的同时,还渗透着艺术家极大的感情和心智,展示出他们对诉求作品内在的精神和建构艺术本体的渴望。反而认为西方的抽象主义艺术表现出的是“最大限度的糊涂和混乱”,是糊弄艺术的幌子。即使如此,西方绘画从现代主义发展到后现代主义,从抽象艺术到观念艺术,抽象的魅力却始终未减。因为艺术的风格的发展变化不仅受制于社会、历史的变化,在很大程度上还总是被人内在的逻辑演化以及艺术内在的发展规律所影响。所以随着近年来国内对抽象问题展开了不断深入地研究,我们发现西方现代抽象艺术对抽象因素进行了很大程度上的运用,这对当下中国油画的发展有着非常多的启示。所以本文试图站在更为全面的现当代角度,用图像学兼以文化学、社会学等方法,对不同时期内中国写意性油画具有典型性代表的画家作品中所体现的抽象因素进行分析。且通过分析和研究构成艺术语言的抽象因素所蕴含的精神来帮助更多的人理解抽象油画与写意性油画的不同,打开艺术欣赏的窗口。并说明中国写意性油画注重通过使用油画艺术中的抽象因素,展示出中国特色的艺术抽象等观点,从而使我们通过对油画艺术中抽象因素的理解,得以体会艺术的文化内涵,同时激发表现作品主题内容的创造力。更多还原

【Abstract】 As we all know, oil painting did not originate in China. Since oil painting was introduced into China, it has been inevitable for it to have a series of collision, integration and transformation with domestic artistic conceptions, gradually forming the freehand oil painting which can reflect Chinese real state of mind and painters’social responsibility as well as national cultural identity.When we focus on the concrete creation of Chinese freehand oil painting, we may notice that there is an overlapping between traditional Chinese freehand spirit and the abstract factors in arts. This kind of relationship is extraordinarily prominent. The author believes that it is a problem about Chinese contemporary oil painting encounters---how to combine Chinese and western artistic spirits on the basis of a rational mind so as to maintain national traditions and promote freehand spirits on the basis of the understanding about the differences between China and the west.However, the development of modern art is from concrete to abstract and the diversified development of contemporary art and that is the tendency of artistic development. Even though a large number of freehand oil paintings have shown the application of abstract factors, there is no perfect summary or conclusion for abstract theory. Many people do not understand abstract, they do not realize that fact that in abstract paintings, apart from the pure abstraction, there is artists’ emotions and mind as well as their desire for internal spirits and the construction of artistic ontology. Contrarily, they think that the western painting abstractism is an artistic camouflage embodying "the maximum of confusion and chaos". Even so, western painting changes from modernism to postmodernism, from abstract art to concept art, while the abstractism’s charm has not reduced.Because the development and changes of artistic styles are confined to the changes of society and history, and to a great extent, they are influenced by people’s inner logical evolution and art’s development laws. Therefore, in recent years, the domestic deepening researches on the abstract problems have occurred. We find out that western modern abstract arts have employed the abstract factors to a large extent, enlightening the development of Chinese oil painting. From a more comprehensive modern and contemporary perspective, this paper tries to use the methods of iconography, cultural methodology as well as sociology to analyze the abstract factors in the typical works of Chinese freehand oil painting. By means of the analysis and study about the spirits embodied in the abstract factors which constitute the artistic language, this paper aims at helping more people to understand the differences between abstract oil painting and freehand oil painting, opening the window for art appreciation. Meanwhile, this paper explains the ideas that the Chinese freehand oil painting emphasis the use of the abstract factors in oil painting art to demonstrate Chinese characteristics abstract, so as to make people experience art’s cultural connotations and stimulating the creativity which can reflect the themes and contents of works by means of the understanding about the abstract factors in oil painting art.更多还原