《诗经·曹风》研究

【作者】 刘洋；

【导师】 鲁洪生；

【作者基本信息】 首都师范大学 ， 中国古代文学， 2012， 硕士

【摘要】 《曹风》是《诗经》“国风”之一,数量较少,仅四篇；在目前通行的《诗经》版本中排在《桧风》之后,《豳风》之前。《曹风》因其篇目太少,加之曹国又是春秋时期的蕞尔小国,所以在历代经学家的眼中地位较低。笔者在经过认真考察后,认为事实并非如此。《曹风》篇目虽少,但既然能位列《诗经》之一“风”,可知当时编诗者对它的重视程度。而且,曹国虽是小国,但因其是姬姓诸侯国,身为“宗室贵胄”,在春秋时期的诸侯争霸舞台上倒也扮演了一个不可或缺的角色。在《上博简》“孔子诗论”中,考古学家们也曾发现过孔子对《鸤鸠》一诗的评价。可见,长期以来学术界对《曹风》的忽视是不应该的。《曹风》代表了诗经时代“曹国”这一地域的风土人情,蕴涵了丰富的社会历史文化信息,并具有很高的文学成就。但就目前为止,国内外还没有一部以《曹风》为专题研究的著作,这是令人感到非常遗憾的。本文通过参考古今各家学说,尽可能全面地对《曹风》进行全方位的考察；并在此基础上分析其真正的艺术价值。笔者希望藉此能对“《诗经》学”的深入与拓展起到一些微薄的作用。本文的主体分为四个部分：第一部分：《曹风》研究综述。在这一章中,笔者主要论述了历代经学家对《曹风》的解读,以及将现当代学者对《曹风》各篇的研究状况进行了一下梳理。第二部分：曹国历史文化简述。写作本章的目的,是想为后面的论述提供一些必要的背景资料。《曹风》产生于曹地,曹地的历史文化、风土人情、政治经济状况对《曹风》的形成提供了土壤。对曹国历史文化的清晰认识,有助于我们客观科学地看待《曹风》的真实内涵。第三部分：《曹风》各篇诗旨新探。本章是写作的重点,也是难点。本文从春秋时期特殊的政治社会环境出发,在尊重历代学者研究成果的基础上,结合曹国自身的具体状况,并运用文字学、考古学、民俗学、文艺学的种种方法,以实事求是地态度对每一篇每一章进行细致的考证辨析,深化对《曹风》诗旨的研究。第四部分：《曹风》的思想内涵和艺术特色。本章在以上三章的基础上,尤其是在考辨出《曹风》各篇的诗旨之后,对《曹风》整体体现出来的思想内涵和各篇独有的艺术特色进行一番总结。论文的最后一部分为参考文献和《<曹风>集注集评》的全部内容。更多还原

【Abstract】 Songs collected in Cao is one of sections in Book of songs. Only four of poems in this section. Too little because Songs collected in Cao table of contents, combined with Cao during the Spring and Autumn Period small country, so in the low position of the eyes of the ancient scholars. After careful examination, I think that this is not the case. The editors did not because this part of the contents but rarely out of the outside of the Book of Songs, showing that the editors attach great importance to it. Cao is a small country, but because he was surnamed Chi vassal state, as the imperial clan nobles, also played an integral role on the stage of feudal hegemony in the Spring and Autumn Period. In Poetics of Confucius of The warring state period Chu bamboo slips collected in the Shanghai Museum, experts also found that the Confucius comments on An Ideal Ruler. So, for a long time, academia should not be ignored the Songs collected in Cao.There are four poems in Songs collected in Cao. They are The Ephemera, Poor Attendants, An Ideal Ruler, The Capital. Songs collected in Cao depicted the customs of Cao of The Book of Songs era, contains a wealth of social historical and cultural information, and has a high literary achievement. But so far, at home and abroad, there have not been a book for the study of the topic Songs collected in Cao, which is very regrettable. In this paper, refer to past and present each theory,I tried to as comprehensively as possible for Songs collected in Cao to inspect and analysis of its artistic value on this basis. I hope that this paper can play a modest role for the deepening and expansion of research of the Book of Songs.In this paper, the main part is divided into four sections:Section one:Comprehensive overview of the Songs collected in Cao research. In this chapter, I have discussed discusses the ancient scholars about the interpretation of the Songs collected in Cao, as well as contemporary scholars about parts of Songs collected in Cao research results were consolidated.Section two:An overview of the history and culture of Cao. The purpose of the writing of this chapter is to provide some essential background information for later discussion. Songs collected in Cao generated in Cao. The history, culture, customs, political and economic situation of Cao for the birth of Songs collected in Cao to provide soil. Clear understanding of the Cao’s history and culture contribute to our objective and scientific view of the true meaning of Songs collected in Cao.Section three:New research on the keynote of each chapter of Songs collected in Cao. This chapter is a focus, but also difficult. Looking at the views of scholars of past dynasties, Songs collected in Cao have an established argument, old-fashioned conventionalism is very strong, did not contact with the real ideological content and literary achievement of Songs collected in Cao. This paper, based on the special political and social environment in the Spring and Autumn Period, as well as combining of Cao’s own specific situation, and use various methods of philology, archeology, folklore, literature and art, to explore the root causes of the problem and distinguish clearly between right and wrong point of view, and treat every problem with a pragmatic attitude, to restore the true colors of Songs collected in Cao.Section four:Ideological content and artistic characteristics of Songs collected in Cao. On the basis of the previous, especially, after the original meaning of the various articles were interpreted, this chapter is as a summary for the ideological content and unique artistic features of Songs collected in Cao.The last part of the thesis is the references and the entire contents of the variorum of Songs collected in Cao.更多还原