【摘要】 本文意在说明《伤逝》是一篇现实主义与象征主义高度融合的艺术作品。现实主义为作品提供了环境、人物性格和细节的真实性 ,象征主义拓展强化了作品的意象、审美境界和形上意义。《伤逝》中的“家”和“夜”象征着人类的生存困境 ;“爱”象征着人类精神追求中世俗的牵绊和情感的重负 ;“花与动物”、“谈天、读书、散步”与“家务”象征了脱俗与世俗两种不同的人生选择 ;“子君”象征了一种虚无的存在 ,“涓生”象征着不可征服的生命 ;“走”是他的原型 ,是他反抗死亡与空虚 ,获得生命永恒意义与价值的方式。鲁迅围绕“立人”思想 ,在《伤逝》中表现了民族精神的再造意图。涓生这类意象的出现 ,表明鲁迅的创作由病态人格的揭露跨向了理想人格的塑造的新阶段。更多还原

【Abstract】 The purpose of this academic dissertation is to indicate that "Shang Shi"is an artistic works highly mixed realism together with symbolism.The realism provides the works with the surroundings,characters’ disposition and the detailed truthfulness,while symbolism broadens the works with imagery,aesthetic realm and spiritual meaning.The "home"and "night"in "Shang Shi"symbolize the living difficult situations of human beings."Love"symbolizes secular trammels and heavy emotional burden of the mankind in their spiritual seeking."Flowers and animals","talking,reading and taking a walk"and "household chores"symbolize two kinds of different life choices --life free from vulgarity and worldly life."Zijun"symbolizes the nihility being."Juansheng"symbolizes the unconquerable life."Going out"is his original being form,indicating his way of being against death and void,attaining life’s eternal meaning and value. Emphasizing on "building people up",in "Shang Shi"Lu Xun showed us the rebuilt desire of the national spirit.The appearance of "Juansheng"kind of characters indicates that Lu Xun’s creative works reached the new steps from exposing the sick characters to creating the ideal characters.更多还原