【摘要】 21世纪以来,中国的女性电影创作迎来了又一个繁荣期。本文以新世纪电影作品为例,探讨文学的电影化传播实践中存在着的一个鲜明的现象,即男女不同性别的导演对文学母本中体现出的女性意识的处理截然不同,女性导演往往会强化文学母本中的女性意识,而男性导演则会有意遮蔽或置换文本中的女性意识,并分析其原因既为两性导演性别意识使然,同时也是市场化考量的结果。更多还原

【Abstract】 There has been a flourishing period of female movie creation since the new century. This paper examines a striking phenomenon in the dissemination of movies from literary works in the new century and finds that there are distinct differences between male and female directors in their interpretations of female consciousness in literary works. The female directors tend to strengthen the female consciousness in literary works,while the male directors pay less or no attention to the female consciousness. The main reasons for the differences lie in the male consciousness in both the minds of the male directors and that of the audiences as well as in the consideration of the market.更多还原