【摘要】 《幽灵公主》被业界公认为宫崎骏动画电影的巅峰之作，亦可被视为一部以生态环境为最高观照的生态动画电影，集中体现了宫崎骏的生态人文主义观念。在糅合了古今东西方各类神话、现实素材的基础上，通过诸多视觉形象建构策略，宫崎骏以史诗性宏大叙事展现了日本室町时期虾夷族少年在自我救赎之旅中实现人神妥协的奇幻历程。利用动画这一当代视觉“复魅”手段，宫崎骏杂取人类文明各类形象符号，在现实生态问题日益严峻的“人类世”，对人与自然各类关系进行隐喻性表达，并对人与自然如何实现和解这一永恒命题给予批判性思考。其表现出对人类历史与未来命运的深切关注，为当代动画电影的生态批评价值实现作出开拓性贡献。更多还原

【Abstract】 Princess Mononoke is recognized as the pinnacle of Miyazaki Hayao’s animated film, and it can also be regarded as a truly ecological animated film, which embodies Miyazaki Hayao’s ecological humanism. On the basis of blending all kinds of mythical and realistic materials from ancient to modern times in east and west, through many strategies of visual construction,Miyazaki Hayao showed the fantastic process of realizing the compromise between human beings and gods in the self salvation journey of the Xiayi teenager in the Muromachi period of Japan with his epic grand narrative. Using animation as a means of contemporary visual“re-enchantment”, Miyazaki Hayao mixed various image symbols of human civilization, realized the metaphorical expression of various relationships between man and nature, and critically considered the eternal problem of how to achieve reconciliation between man and nature in the“anthropocene”where the real ecological problems are increasingly serious. It shows a deep concern for the past and future destiny of mankind and makes a pioneering contribution to the realization of ecological criticism value of contemporary animated films.更多还原