【摘要】 邈真赞是唐五代时期敦煌当地文人写给当地人看的有韵之文 ,所以 ,它的用韵现象必然是当地当时实际语音的反映。联系邈真赞的韵脚字 ,我们可以获得唐五代西北方音的极有价值的资料。《广韵》有七十三个韵的字出现于赞文的韵脚 ,这些韵脚字可以分为十五部 ,即阴声韵六部、阳声韵六部、入声韵三部。与《广韵》相比 ,邈真赞的韵部系统发生了重大变化 :有的韵部已经合并 ,有的韵部发生了转移。更多还原

【Abstract】 Miao-zhen-zan (邈真赞) are verses written by local scholars in Dunhuang for local people to read during the Tang Dynasty and the period of Five Dynasties . So its rhyming system must be a reflection of the local actual pronunciation at that time. From the rhyming characters in Miao-zhen-zan, we can get very (valuable) data about the speech sounds of the Northwest dialect during the said dynasties. Rhyme-characters in seventy-three rhyming categories in Guangyun (《广韵》;Among them, there are six categories of Yin-sheng(阴声)rhyme, six categories of Yang-sheng(阳声)rhyme,and three categories of Ru-sheng(入声)rhyme. (Cmpared) with Guangyun, great changes have taken place in the rhyme system of Miao-zhen-zan. Some (categories) have been mixed up, and some have transferred to another category.更多还原