【摘要】 目前，我国《著作权法》对编曲者以及编曲本身的地位一直没有明确规定，以至于大部分人都认为“编曲不受版权保护”。一直以来，单纯地将编曲权纳入邻接权的保护范围，已经难以适应社会发展需要。文章认为，要充分保护编曲作品的独创性及创作者的积极性，需要从独创性的角度对编曲作品加以区分，并根据是否具备独创性，来决定对编曲作品采取何种保护方式。更多还原

【Abstract】 Currently, the status of the arranger and the arrangement itself is not clearly stipulated in the Copyright Law, leading most people to believe that “arrangement is not protected by copyright”. In practice, it is difficult to adapt to the trends of social development by simply incorporating the right of arrangement into the protection scope of neighboring rights. Hence, the article believes that in order to fully protect the originality of arrangement works and stimulate the enthusiasm of creators, it is necessary to distinguish them in terms of originality, and determine the protection method based on whether they have originality.更多还原