【摘要】 日本平安时代贵族知识分子藤原公任编纂完成了《和汉朗咏集》,建立了与汉诗集迥异的类目系统：同时收录中国诗赋作者、日本汉诗人、日本歌人的作品，将唐诗佳句、汉代史赋佳句以及日本汉诗佳句、和歌等多种文体进行同一类目下的多重并置，呈现出“中国诗文与日本汉诗文”“和歌与汉诗”的对话；不按作者身份、时代先后以及诗文的文体类型进行编排，采用主题与题材分类的方式编排诗歌类目，重塑诗歌的意境与风格。故此，《和汉朗咏集》建构了具有日本美学特色的文本空间，也形成了中日诗歌在文学地位上的新关系。更多还原

【Abstract】 WakanRoeishu, compiled by Japanese aristocratic intellectual Fujiwara Kintōof of the Heian era, establishes an author and category system distinct from any of the others in contemporary Han poetry collection. Works of Chinese poets, Japanese Han poets and Japanese singers are included in the collection, thus juxtaposing various styles such as Tang poems, historical poems in the Han Dynasty, Japanese Han poems, and Waka in the same category, which presents a double integration of “Chinese poetry and Japanese Han poetry” and “Waka and Han poetry”. In the collection, the identity of the author, the chronological order as well as the style of the poems are broken down, instead, the themes of each poem are used as classification method to rearrange the poetry category, reshaping the artistic conception and style of poetry. Therefore, “WakanRoeishu” constructs a text space with Japanese aesthetic appeal and forms a new “topography” of the status of Chinese and Japanese poetry and literature.更多还原