【摘要】 明代是茶文化历史上的变革时代,从朱元璋罢龙凤团茶改进芽茶,到品茶方式自上而下的变化及普及,茶事作为一种符号,频繁出现在文人士大夫寄情的诗书画中。陈洪绶是晚明杰出的画家,他的茶画在明代文人画中独树一帜,其作品中的茶事场景既展现了简古、幽趣的画境,又具有文人式的审美意蕴和精神内涵。通过梳理陈洪绶的茶画作品,可以考察当时的茶事活动发展和晚明时期茶在生活与艺术中如何融入文人美学世界的历史。同时,这些茶画中的审美意识形成了一种明末特有的茶事美学风貌,具有独特的美学价值。更多还原

【Abstract】 Ming Dynasty is a time of change in the history of tea culture. From Zhu Yuanzhang’s removal of Long-Feng Mass Tea for the Bud Tea to the top-down change and popularization of tea tasting methods, tea events, as a symbol, frequently appear in the poems, calligraphy and paintings that the literati and officials place their affection on. Chen Hongshou was an outstanding painter in the late Ming Dynasty. His tea paintings were unique among the literati paintings in the Ming Dynasty. The tea scenes in his works not only show the simple and interesting picturesque scenery, but also have the aesthetic and spiritual connotation of the literati. By studying Chen Hongshou’s tea paintings, we are supposed to investigate the development of tea activities at that time and how tea was integrated into the literati’s aesthetic world in life and art in the late Ming Dynasty. At the same time, the aesthetic awareness in tea paintings develops into a unique aesthetic style of tea events in the late Ming Dynasty, which is of unique aesthetic value.更多还原