节点文献
浅谈宫泽贤治《风又三郎》中拟声拟态词之美学
A Brief Discussion on the Aesthetics of Onomatopoeic Words in Miyazawa Kenji’s "The Wind God Sanlang"
【摘要】 宫泽贤治是日本家喻户晓的儿童文学巨匠,他的童话作品在内容上反映了人与自然,人与动物以及人与人之间纯朴、和谐的关系,在表现手法上使用了大量拟声拟态词,为文章润色不少。宫泽童话的魅力,并非局限在文章内容本身,而是他独树一帜地融入文中的拟声拟态词之美。这些拟声拟态词巧妙地构造出充满韵律的童话世界,也使我们体会到了愉悦、怀念、舒畅、轻快之感,这正是宫泽贤治文学的独特之美。长篇小说《风又三郎》集中体现了宫泽高超的驾驭拟声拟态词的能力,他在自然界中塑造了"风又三郎"这个鲜活的形象的同时,也让读者身临其境地感受到了人与自然之间的和谐之美。
【Abstract】 Miyazawa Kenji is a well-known master of child literature in Japan.In content,his fairy tales reflects the simple and harmonious relationship between human and nature,human and animal,human and human,and in expression device,he utilizes a lot of onomatopoetic words.The charm of Miyazawa Kenji’s fairy tales is not limited in the content itself,while it integrates the beauty of onomatopoeic words.The full-length novel "The Wind God Sanlang" expresses Miyazawa Kenji’s ability of utilizing onomatopoetic words.
- 【文献出处】 科教文汇(中旬刊) ,The Science Education Article Collects , 编辑部邮箱 ,2012年03期
- 【分类号】I313.074
- 【被引频次】4
- 【下载频次】389