【摘要】 中国古代艺术史中的器物艺术研究,在很大程度上与传统画史为核心的艺术品研究有诸多不同,尤其是跨学科研究的介入,使其在艺术史领域研究的学科独专性常常受到挑战。王丽梅著《盛世风尚——唐代金银器装饰艺术研究》一书在一定程度上使器物艺术史研究在装饰艺术阐释方面为艺术史的学科独专性做出了有力的回应。其著作对装饰艺术的解读超越了艺术考古、物质文化史和传统工艺美术史的概念阐释,把"装饰艺术"从普通的装饰性图案认知扩展到装饰纹样的绘画性和器形的装饰工艺等既属于艺术史本体的概念范畴,又不同于传统工艺美术史的阐释空间。在装饰艺术研究的艺术性与视觉性辨析上找到了突破口,同时对与经典绘画史相对应的"无名艺术史"当代研究提供了"艺术性回归"的具体经验。更多还原

【Abstract】 In the history of ancient Chinese art, the research on the utensil art is, to a large extent, different from the art research centered on the history of traditional painting, especially with the interdisciplinary research, which often challenges its discipline independence in the field of art history. Wang Limei’s book "Research on the Decorative Art of Gold and Silverware in the Tang Dynasty", to a certain degree, responds robustly to the challenge to the discipline independence of the research of the art history of utensils in interpreting decorative art. The interpretation of decorative art in this book goes beyond those from art archaeology, material and cultural history, and the history of traditional arts and crafts. This book also extends the concept of "decorative art" from the cognition of ordinary decorative patterns to the painting of decorative patterns and the decoration of utensils, which fall into the category in art history itself, while they are different from the interpretation of concepts in the history of traditional arts and crafts. This research has made a breakthrough in analyzing artistry and vision of the decorative art; at the same time, it provides the specific experience of "artistic return" for the contemporary research of "nameless art history" corresponding to the classic painting history.更多还原