【摘要】 中国古典 悲剧 研究没有建立起公认可行的独立理论体系 ,在具体作品的鉴别上也成效甚微 ,表明古典 悲剧 在理论和作品区分上都不具备独立文体品格 . 悲剧 研究难以取得实质进展的根本原因在于 悲剧 观念与古典戏曲的创作实践及理论总结不符 , 悲剧 研究对古典戏曲研究意义不大 ,应予放弃 .我们可以在模糊意义上使用 悲剧 一词 .更多还原

【Abstract】 The research in china classical tragedies hasn’t established an independent and theoretic system that was accepted,and the differentiation on works has no thad a marked effect,which show that the classical tragedies do not belong to independent style on theory and differentiation.The basic reason for having not made substantive progress on research in tragedies is the sense of tragedies don’t agree with the creative practice and the theory of classical opera.Research in tragedies means not quite to the classical tragedies,and it is better to abandon.We can use"tragedy"on fuzzy sense.更多还原