【摘要】 从秉承"诗教"的闺阁诗,到实践"乐教"的学堂乐歌,再到移风易俗的改良时调,诗歌与歌谣传统的消长在晚清新女性诞生的过程中起到潜移默化的作用。晚清学人的启蒙焦虑渗透进蓬勃兴起的报刊业,其中"诗""歌"文体的嬗变又波及"书写/被书写"过程中的女性。"诗歌-乐歌-歌谣"文体更迭关涉作者、读者、书写场域、传播方式和影响范围的变迁,相关的文本实践试图突破原有的性别观念认知,丰富了晚清大变局中新女性的想象,与多重社会思潮合力,共同推动了新女性的诞生。更多还原

【Abstract】 From the boudoir poetry taking"poetry teaching", to the school songs practicing "music teaching", then to the folk songs transforming social traditions, the rise and fall of the tradition of poetry and ballads had exerted a subtle influence on the birth of "new women" in the late Qing dynasty. The enlightenment anxiety of the scholars in the late Qing dynasty penetrated into the booming industry of newspaper, and the evolution of the"poetry"and"ballads"styles also affected the women in the process of "writing/being written". The alternation of"poetry – songs – ballads"texts was connected to the authors, the readers, the writing discourses, the distribution ways and the influence range. The effort of relevant text practice had exceeded the original conception of genders, enriching the imagination of"new woman"in the late Qing dynasty, and leading to the birth of"new women"with the encouragement of other social ideological trends.更多还原