【作者】 巴娜娜；

【导师】 郑长铃；

【作者基本信息】 中国艺术研究院 ， 音乐学， 2010， 硕士

【副题名】对《中国民间歌曲集成·内蒙古卷》编撰及文本的研究

【摘要】 1979年,中华人民共和国文化部和中国音乐家协会共同发起了《中国民间歌曲集成》(以下简称《集成》,具体工作则表述为集成工作或简称“集成”)的编撰和出版工作,在全国范围内掀起一场挖掘、收集、整理民歌的大热潮。这个热潮,波及全国三十个省、市、自治区,参与人数之众、涉及范围之广、收集曲目之多,都达到了前所未有的规模,是新中国音乐文化发展史上的一件盛事。《中国民间歌曲集成·内蒙古卷》(以下简称《内蒙古卷》)作为其中不可缺少的一部分,是整个集成工作的重要成果之一。在内蒙古自治区文化局和内蒙古自治区文学艺术界联合会的领导和全区音乐工作者的共同努力下,内蒙古地区共收集民歌近万首,在此基础上精挑细选出1262首包括蒙古族、汉族、达斡尔族、鄂温克族、鄂伦春族五个民族的民歌,并配有内蒙古自治区行政区域图、各民族民歌歌种分布示意图以及采录现场及歌手的图片89幅,以蒙文、汉文两种文字和标注国际音标的方式出版发行。其内容包括概述、分述、释文等,全书规模大约有350万字,这是对内蒙古地区浩如烟海的民歌遗产进行的一次全面、系统、深入的大普查和抢救性工作。本文以《内蒙古卷》的编撰及文本为主要研究对象,旨在运用民族音乐学历史研究等方法,通过对档案资料的搜集、整理、研究,以及对当事人的采访,结合特定的历史文化背景,对《内蒙古卷》的编撰过程加以客观的梳理,对文本的体例、内容等进行初步研究,进而对编撰《内蒙古卷》的历史意义和文化价值给予了相应的评价。更多还原

【Abstract】 In 1979, The Ministry of Culture of the People’s Republic of China and the Chinese Musicians Association started a project to compile and publish "the Compilation of Anthology of Chinese Folksongs.Volume on Inner Mongolia"(herein after referred to as "Integration"). It started a big upsurge of collection and coordination works, which involved 30 provinces all over the country. Because of its huge number of participators, wide scope and the most songs collected, it can be called a "big event" in Chinese culture history.The Volume on Inner Mongolia is a very important part of the Compilation of Anthology of Chinese Folksongs. Inner Mongolia Provincial Department of Culture and Inner Mongolia Federation of literary and Art Circles act as the leader of this project. Participators selected 1262 songs elaborately that come from Mongolia, Han, Daur, Ewenki, Oroqen. For the first time they used the map of Inner Mongolia and folk songs distributing maps to sort all of these songs. Word count of The Volume on Inner Mongolia is 3,5 million,that contains 89 pictures. It is a multi languages (Mongolia, Chinese and International Phonetic) version. It is a thorough, systemic and embedded investigation and protection work.Context is mainly focus on The Volume on Inner Mongolia. I used historical ethnomusicology method and interviewed some participators and combined special historical background to make some comment on it and discuss its important meaning to current Chinese music history and the protection of Chinese traditional culture.更多还原