【作者】 周晓牧；

【导师】 牟运道；

【作者基本信息】 西安美术学院 ， 美术学， 2009， 硕士

【摘要】 我国古代封建社会中,统治阶级在宫殿、陵墓前建立雕像的制度,根据文献记载,周、秦时代已经肇始,只是宫殿早已毁去,帝王陵墓前亦少有遗留;野人抱熊石雕是汉武帝时期霍去病墓大型石雕之一,就造型艺术形式而言,野人抱熊石刻造型艺术有着显著的特点:造型的表象形式在继承中有突破和发展,在遵循前代循石造像处理传统过程中有新的创造,熊与人动静结合天衣无缝,在平衡中求变化,追求新的对称性格式;造型艺术表现形式上体现出剪影式装饰化审美追求;在表现手法上,以尊重原石的天然特征为前提,不作镂空,而是线刻、圆雕、浮雕、减地凸雕相结合综合运用;从而形成了有别于同墓其它石雕造型风格的独特艺术风格。野人抱熊石雕造型艺术风格在霍去病墓石雕群整体风格中是一个明显的转折点,它继承并发展了以往的样式而展示了崭新的气象,为后世在造型形式,意向表现上起了重要的开拓作用。更多还原

【Abstract】 The system what the feudal dominant class set up statues in front of the mausoleums and the palaces was beginning to take shape during the period between Zhou and Qin Dynasty according to the historical accounts. With the passage of time ,these statues were vanishing gradually from sight.“a wildman wrestling with a bear”is one of the statues of Huoqubing Tomb. Considering the plastic arts ,it has been some obvious characteristics as following:“a wildman wrestling with a bear”not only carried forward the traditions of plastic arts,but also made breakthrough;During of creating theses statues, weeding through the old on the traditional skill of carving along the contour of stone to bring forth to new;combining trends with static;seeking novel from insipid and new symmetry;carving stone in silhouette;making the statues much decorative arts.“A wildman wrestling with a bear”premised the nature character of the contour stones,coordinated perfectly round, relief, ridges.“A wildman wrestling with a bear”differs from the others of Huoqubing Tomb because of the above opinions.“A wildman wrestling with a bear”was showed in the middle of the developing history of sculpture,it not only carried and break through tradition,but also enlightened the latter sculpture.更多还原