电视文化“奇观”批评

【作者】 李阿嫱；

【导师】 李庚；

【作者基本信息】 黑龙江大学 ， 新闻学， 2007， 硕士

【摘要】 盖·德堡在20世纪60年代提出了“奇观社会”理论，用以描述二战后资本主义国家按照“奇观”原则所建构的消费社会。而当代文化研究学者道格拉斯·凯尔纳则借鉴了德堡的理论，提出了“媒体奇观”的概念，将其定义为能够体现当代社会基本价值观的媒体文化现象，并借此分析了美国社会的文化现实。本文以二人的研究为主要理论根据，并依据当前中国电视文化发展的实际，将“电视文化奇观”作为研究对象，对电视文化奇观的内涵与外延、本质与形态做出明确的界定，分析其在中国大众文化的背景中出现的原因，并对电视文化奇观所产生的负面效应进行反思。同时在对电视文化奇观的理论梳理中论证一个文化事实，即电视文化奇观不仅是文化现象，同时也是大众文化的新型文本形态，它的出现既满足了某种现实需求，也阐释了当代社会的结构关系与文化意义，并将对未来中国大众文化的发展产生深远的影响。更多还原

【Abstract】 The Society of Spectacle Theory was proposed by Guy Debord in 1960’s .It is used to describe the consuming society constructed by Spectacle principle in capitalistic society after World War II .Douglas Kllner ,a contemporary culture researcher,created the concept of Media Spectacle which was born from Guy Debord’s theory and analyzed the actuality of American culture .Media Spectacle is defined as a kind of Media Culture phenomenon which can embody the basic value of our time.Based on these two theories,this thesis makes a deep research on Television Culture Spectacle and gives a explicit definition of it according to the reality of television culture in China.We analyze the reasons of its appearance from Popular Culture and reflect its side-effect.After study on all these theories,we may get the conclusion that Television Culture Spectacle is not only a kind of culture phenomenon ,but also a new text form of Polular Culture.It meets the needs of reality ,shows the structure and culture sense of our society,has significant affaction on the development of Popular Culture in China.更多还原