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曹贞吉词及清初词坛
The Zhenji Cao’ Ci-poetry and the Ci-poetry World of Initial Stage of Qing Dynasty
【作者】 翁容;
【导师】 魏中林;
【作者基本信息】 暨南大学 , 中国古代文学, 2003, 硕士
【摘要】 清初词坛名家迭出、流派纷呈,曹贞吉的词学观念与清初的词学思想有紧密的联系,创作实践独立于各大流派之外,在清初词坛上占据着重要的位置。曹贞吉推尊词体,重视比兴寄托。他的词宗南宋,词风偏向于豪放一派。仕途的坎坷、亲族的变故使他的词形成含蓄隐曲、寄托遥深的风格。曹贞吉的词学主张和词学创作,在一定程度上引领了清初由尊北宋转向崇南宋之词风,在词学的尊体说中以其创作和理论作出了重要的贡献,他所倡导的比兴寄托的艺术手法,也极大地影响了后世的词家。
【Abstract】 There are many famous experts and sects in the Ci-poetry world of initial stage of Qing Dynasty .It has a tight connection about the idea of Ci-poetry between Zhenji Cao ’ Ci-poetry and the initial stage of Qing Dynasty . Zhenji Cao ’ Ci-poetry produce different from those Ci-poetry sects and occupy a position of importance . The Ci-poetry of Nansong is Zhenji Cao’s Ci-poetry produce’ origin ,and his style erroneous tendency is bold and unconstrained . On his style ’take shape process , Officialdom’ bumpy , relative’s change all bring into play . Zhenji Cao ’ Ci-poetry produce and idea lead the general mood from Beisong to Nansong for some degree . Additional , his the growing of Bailment theory’ kill art has a profound influence for Ci-poetry of the younger generation .
- 【网络出版投稿人】 暨南大学 【网络出版年期】2003年 03期
- 【分类号】I207.23
- 【被引频次】2
- 【下载频次】346