【作者】 勾淳淳；

【导师】 孔岩；

【作者基本信息】 延安大学 ， 文艺学， 2024， 硕士

【摘要】 随着现代媒介技术的迅猛发展与全球化进程的加快,当代文学越来越明显地受到图像视觉文化深刻而全面的影响,文学的图像转向既是新媒介技术发展的必然结果,也是当代社会文化变迁的反映。通过梳理当前文学在新媒介背景下的发展态势,分析文学图像转向生产机制的动态性建构,阐述这种转向对文学性思维意识的影响,立足视觉文化研究和符号学研究理解文学与图像的内部表意机制,探析文学作为情感和社会现实的总和在“世界图像时代”的独特魅力和精神价值。论文首先在绪论部分对当下文学现实进行背景概述,借由文献综述提出现实性问题,以此引出全文主体。正文四个部分的主要内容为:第一部分是对新媒介发展浸润下文学图像转向的现实景观分析,以图像表征作为文学文本的新范式、文学文本的影像化延伸说明当下文学已经图像转向的客观事实,论述当下文学图像化存在的媒介化症候,揭示文学的图像转向不仅是新媒介技术发展的必然趋势,也体现了文化形态的变化,更反映了人类思维方式的转变,明确将文学图像研究置于新媒介迭新的语境中进行更深入地思考。第二部分是从视觉文化视角切入分析研究文学产业化、媒介产业化对文学外部生产机制变化的影响,论述媒介技术霸权式介入与资本市场运作对文学生产活动的视觉性建构,阐述视觉快感、媒介话语权力、审美接受等消费文化逻辑对文学生产图像转向的作用与形塑,最后以“泛文学”的文化现实来论证当代文化实际上是文学性与人文性深入社会生产、生活的一种诗性建构。第三部分主要着眼于对文学语象符号与视觉图像符号内在机理的探讨分析,以统觉共享和语图符号的视觉隐喻策略作为文学内在的意义生成机制,来探究文学遭遇图像转向之后仍然具有表意功能的原因。最后通过论述当代文学叙事的“语—图”互文思维,来揭示文学与图像相互交织、相互影响的复杂关系,以及它们共同构建文学作品深层意义的动态过程。第四部分主要论述文学作为抒发人类情感、反映社会现实、承载思想意识以及审美观念的总和,其独特的价值和意义不可忽视。在当下文化语境中,应通过坚守和发展文学性、人文性、多维性聚焦文学自身的演进,深入探析文学价值在新媒介背景下的新变与共建之道,拓展文学的发展空间。更多还原

【Abstract】 With the rapid development of modern media technology and the acceleration of globalization,contemporary literature is more and more obviously affected by the profound and comprehensive influence of image visual culture,and the image turn of literature is not only the inevitable result of the development of the new media technology,but also the reflection of the contemporary social and cultural changes.Through sorting out the current development of literature in the context of new media,analyzing the dynamic construction of the production mechanism of literary image turn,elaborating the impact of this turn on the consciousness of literary thinking,Studying the ideological mechanisms of literature and image through visual culture and semiotics,this research explores the emotional and social essence of literature in the "world image era," emphasizing the development of contemporary literature and image culture.It also explores and considers the unique charm and spiritual value of literature as the sum of emotions and social reality in the “age of the world’s images”.In the introductory part of the paper,the background of the current literary reality is summarized,and the realistic problems are raised by the literature review,which leads to the main body of the paper.The main body of the four sections of the text is:The first part is an analysis of the reality landscape of literary image turn under the infiltration of new media development,using image representation as the new paradigm of literary text,the extension of imageization of literary text to illustrate the objective facts that have changed,discussing the symptoms of mediatization that exists in the imageization of literature,and revealing that the image turn of literature,as an inevitable tendency of the development of the new media technology,not only embodies the change of the cultural form,but also reflects the transformation of human thinking way.It reveals that the image turn of literature,as an inevitable trend of the development of new media technology,not only reflects the change of cultural forms,but also the transformation of human thinking,and explicitly puts the study of literary images into the new context of new media iteration for more in-depth thinking.The second part is to analyze and study the influence of the industrialization of literature and media on the change of external production mechanism of literature from the perspective of visual culture,to discuss the visual construction of literary production activities by the hegemonic intervention of media technology and the operation of capital market,and to elaborate the role and shape of the logic of consumer culture such as visual pleasure,media discourse power,aesthetic acceptance and so on on the turn of image in the production of literature,and finally to argue that contemporary culture is actually a poetic construction of literary and humanistic penetration into social production and life with the cultural reality of “pan-literature”.Finally,the cultural reality of “pan-literature” is used to argue that contemporary culture is in fact a poetic construction in which literature and humanity penetrate into social production and life.The third part mainly focuses on the exploration and analysis of the inner mechanism of literary language and image symbols,using the visual metaphorical strategy of unity sharing and language and image symbols as the intrinsic meaning-generating mechanism of literature,in order to explore the reason why literature still has the function of representation after encountering the image turn.Finally,by discussing the intertextual thinking of “ language-graph ” in contemporary literary narratives,the complex relationship between literature and images is revealed to be intertwined and mutually influential,as well as the dynamic process of constructing the deeper meanings of literary works together.The fourth part mainly discusses the unique value and significance of literature as the sum of expressing human emotions,reflecting social reality,carrying ideology and aesthetic concepts,which cannot be ignored.In the current cultural context,we should focus on the evolution of literature itself by adhering to its literary,humanistic and multidimensional nature,and analyze in depth the new changes in the value of literature in the context of the new media and the way of co-construction,so as to expand the space for the development of literature.更多还原