【作者】 郑淑浩；

【导师】 唐孝祥；

【作者基本信息】 华南理工大学 ， 建筑学， 2016， 硕士

【摘要】 佘畯南是岭南建筑学派的代表建筑师之一,其为岭南现代建筑走出岭南,走向全国,影响全国做出了重要贡献。作为国家自然科学基金《岭南建筑学派现实主义设计理论及其发展研究》项目的子课题,文章基于建筑史学与建筑美学的交叉综合研究方法,运用建筑美学“文化地域性格”理论进行分析,以“文化地域性格”理论的三个维度,对其建筑地域技术特征、社会时代精神以及人文艺术理想开展研究。探讨佘畯南建筑实践中所体现的地域性,时代性,人文性的深刻内涵,提炼出“因地制宜”,“因时制宜”,“因人制宜”的文化地域性格。首先,“因地制宜”的地域技术特征具体表现为(1)平面布局贴近自然、空间组织灵活通透之契合自然气候的建筑特色;(2)随形就势的地域表现、新旧建筑的有机衔接之适应地理环境的建筑特色;(3)地域建筑材料灵活运用的建筑特色;(4)运用传统建筑平面、立面、地域建筑装饰元素的地域建筑文化符号。其次,“因时制宜”的社会时代精神征具体表现为:(1)在经济因素影响下的建筑实践中,对建筑设计标准化的探索,建筑材料的运用;(2)在政治背景影响下的建筑实践中,分析政治背景的影响与主管建筑领导对佘畯南的指导;(3)在现代建筑文化与岭南传统庭园文化指导下的建筑实践中,探讨其对江南园林空间组织的研究,并与现代建筑创作结合;(4)在生态理念指导下的建筑实践。最后,“因人制宜”的人文艺术理想具体表现为:(1)“宁可无得,不可无德”的建筑师自我修养,从修养有德、辩证有得两个方面进行讨论,并由此引发对佘畯南“以人为本”的更深层次的讨论;(2)建筑“以人为本”的建筑理念,从为人情感的创造、为人使用的功能考虑出发,在其实践中对表现为对为人尺度,为人空间的重视。文章以佘畯南为研究对象进行了初步探索,实现对“文化地域性格”理论的具体运用;实现对岭南建筑设计理论研究和岭南建筑学派的丰富深化;同时为现当代岭南建筑的文化传承以及地域性建筑发展提供探索思路。更多还原

【Abstract】 She Junnan, one of the most important architect of Lingnan architecture school,has made great contributionsto it. This paper is a sub-project of the National Natural Science Foundation Research on Realistic Design Thoughts and its development of Lingnan Architecture School. Using the Multi-disciplinary overlapping comprehensive research methods, mainly by architectural historiography and architectural aesthetics, and basing on “the Cultural and Regional Disposition”, this paper discussed She Junnan’s achievements of Architecture Aesthetics under its economic conditions, political conditions and cultural situation. At the same time, the paper summarized the profound connotation of building area technical features, temporal spirits and humanity in his thoughts.At first, the regional and technical quality of the Architecture Aesthetics of She Junnan is the most important character, it could be summarized into four parts. The plane layout close to nature, and the space organized flexibly to agree with natural climate; the architectures follow the site, as well as new and old buildings organically combine to adjust the geographical environment; using the regional construction materials neatly; employing traditional building plane, elevation, architectural decorative elements of regional architectural culture symbols.Secondly, the cultural and time spirit of the Architecture Aesthetics of She Junnan could be also summarized into four parts, times’ politics, economy, culture and ecology. Under the economic factors, it performanced study of standardized architectural design and materials using; under the political, leaders influenced the design; under the guidance of modern architectural culture and traditional lingnan garden culture, he studiedthe space organization of Jiangnan Landscape, and combined it with modern architectural creation; building practice under the guidance of ecological idea.Finally, the humanity and art characters of She Junnan’s Architecture Aesthetics reflected in two aspects. One aspect is “would rather not gain, can’t be without virtue”, the architect’s self-cultivation, discussing it can spark deeper research about the people oriented thoughts of She Junnan. The other aspect is the architectural concept of people oriented, from the consideration of human emotion and application, he put a great importance to the people oriented space design.The paper discusses the Architecture Aesthetics of She Junnan in three dimensions with region, times and culture that conducives to promoting the study of Lingnan school of architecture, enriches the realistic design thoughts of lingnan school, contribute to the contemporary Lingnan Architecture creation thought inheritance and innovation, and by the value of its architectural aesthetics thought, enhance the Lingnan architectural creation, building educational practice drawing skills.更多还原