顾随书法研究

【作者】 赖志明；

【导师】 刘守安；

【作者基本信息】 首都师范大学 ， 美术学， 2014， 硕士

【摘要】 顾随是现当代著名的文人、学者,在书法上也取得较高成就。顾随受沈尹默影响较大,是20世纪三四十年代回复二王帖学传统的流派成员之一。顾随对经典书法也有过深入的研习,他早年习苏黄,后涉猎魏碑,中年力主晋唐,晚年转习章草。顾随书法是文人书法一路,对书法的热衷程度在于经意与不经意之间。在学习方法上,顾随注重临帖,又强调摹古而能变古。在形态上,顾随以平直为书法的基础,又以疏密有致为更高目标；在意蕴上,顾随推崇有力量、有书气、有古意的书法。顾随书法楷、行、草兼备,他的楷书风格多样,工而不匠,他的行书、行草书和草书具有较强的一致性,体现出飘逸潇洒、含蓄蕴藉的帖派风格。更多还原

【Abstract】 Gu Sui is a famous contemporary literati and scholar, he had also made great achievement in calligraphy. Gu Sui,significantly influenced by Shen Yinmo, was one of the members of the school in twentieth Century which returns to classical calligraphy. However, Gu Sui was more affected by traditional calligraphy than by Shen Yinmo. Gu Sui, with the influence of Shen Yinmo, returned to classical calligraphy in a persistent way. Gu Sui’s calligraphy is a kind of literati one. In the learning method, Gu Sui emphasizes not only the precise imitation to classical calligraphy, but also the flexibility for creation. In form, Gu Sui regard orderliness as the foundation, and variety the higher goals of calligraphy; in content, Gu Sui gives a high appraisal to calligraphy with strength, elegance, and antique. Gu Sui’s calligraphy can be divided into three categories:regular script, running script, and cursive.更多还原