【作者】 戚頔；

【导师】 孙维权；

【作者基本信息】 上海音乐学院 ， 音乐科技与应用， 2013， 硕士

【摘要】 即兴性弹唱是将即兴伴奏(即兴演奏)与自弹自唱二者相结合,集创作与演奏、演唱于一体的表演艺术形式。专业性的自弹自唱要求弹与唱都能达到较高的艺术水准,同时在两者之间又能够默契的配合,从而对专业训练要求较高、较全面,因而难度也较大。即兴性弹唱的专业训练,是根据我国高等师范音乐教育专业进一步适应和推动社会文化发展的需要,所进行一项新型音乐教学的探索。本文一共由三个部分构成：第一部分是对国外弹唱艺术的历史发展情况进行梳理,从西方音乐历史中搜寻自弹自唱发展的历史踪迹,初步归纳出弹唱艺术的固有特点；第二部分是以美国乡村歌手约翰·丹佛、“波萨诺瓦女王”小野丽莎与“灵魂歌王”雷·查尔斯为例,概述他们的个人成就,分析其艺术风格特点,以及阐述笔者学习三位外国弹唱大师艺术理念与手法的初步体会,指出他们对我国发展自弹自唱艺术的指导、借鉴意义；第三部分是对我国即兴性弹唱人才专业培养方法的探究,以本人的学习过程,主要是以本人研究生教学毕业音乐会上弹奏的曲目分析为基础,初步论述了对这类专业人才,如何进行系统化培训的途径与方法。通过本文的研究,笔者希望从理论和实践结合的角度,与这一领域的有识之士共同进行探讨并推动这一艺术形式的发展。本文通过对即兴性弹唱艺术的特点与教学方法的初步探索,希望能够帮助更多的爱好者进行即兴性自弹自唱的研究与系统的学习,使目前正处于萌芽阶段的我国即兴性弹唱艺术,在今后能够获得更加蓬勃的发展。更多还原

【Abstract】 Improvisational playing-singing is a combined art form of improvised accompaniment (Improvisational performances) and playing-singing, setting creation, performance and singing in one form. Professional playing-singing requires both playing and singing to achieve a higher artistic level, as well as a tacit understanding between the two, thus it has a higher and more comprehensive standard to the professional training, and comprehensively, it is much more difficult. Adding training in playing-singing to the Improvisational performances is an exploration to the newly developing course content, the need for Higher Normal Music Education to further adapt and promote social and cultural development.This text is composed of three parts. The first part is a historical development research of the playing-singing art. At all times and in all over the world exploring history trace of the art, summing up the characteristics of musical performances art; the second part takes examples of the American country singer John Denver," The Queen of Bossa Nova " Lisa ono and "soul singer" Ray Charles, it gives an overview of their personal achievements and analyses their artistic styles and characteristics as well as the Initial experience of learning the art concepts and practices of the three foreign playing-singing masters by the author, pointing out their guidance and reference significance to the development of China’s playing-singing art; the third part is a research into the professional teaching method of the Improvised playing-singing.it is based on his own learning process, mainly his analyze of the songs played on the graduation ceremony of the graduate students, and preliminary discusses the teaching and training methods to the talented player and singer.Through the study of this article, the author hopes to discuss with the professionals in this field and promote the development of this subject, from the perspective of theory and practice. Readers of this article are mainly students from professional institutions and music enthusiasts with the ability to Improvised playing-singing (Improvisational performances). By introducing the artistic characteristics and law of teaching of the improvised playing-singing, I hope to help more fans to conduct research and a systematic study into the improvised playing-singing (Improvisational performances) art, to make the improvisation playing-singing art currently in the start-up stage in our country have a more flourishing development in the future.更多还原