【作者】 田蓉；

【导师】 普丽华；

【作者基本信息】 华中师范大学 ， 传播学， 2011， 硕士

【摘要】 21世纪以来,随着我国政府对“三农”问题的重视和新农村建设的推进,在影视剧领域,反映“三农”问题的乡村题材也越来越多了,以赵本山主创、主导和主演的东北乡村轻喜剧给荧屏世界带来一阵阵富有泥土芬芳的东北风,成为近年来中国社会的文化焦点之一。他的乡村轻喜剧不仅农村人爱看,也引发了城市人的情感共鸣,唤起了城市人的乡土意识。本文以赵本山的乡村轻喜剧作为研究对象,探析其蕴含的文本特征和文化意义,用文本解读的方法,分析赵本山乡村轻喜剧热播的深刻原因,并结合社会文化背景分析乡村轻喜剧内在的文化内涵和审美特征,同时指出了其中的缺失之处。本文分为五个部分,第一部分介绍本论题研究的背景、现状,以及论题研究的范围、方法和创新点。第二部分对中国乡村轻喜剧不同时期的发展进行了梳理,对赵本山乡村轻喜剧的创作进行了概述,指出乡村轻喜剧的热播与中国人的文化乡愁有关,特别是在现代城市化的浪潮下,国人传统的文化乡愁更容易被触动,更容易引发对乡土的亲切感。第三部分是对赵本山乡村轻喜剧的文本分析。论文分别从主题建构、形象塑造、艺术表现等三个方面展开论述。赵本山的乡村轻喜剧紧扣时代的主旋律,致力于提振农民自信心,努力塑造新型的农民形象,其作品中喜剧性的情节安排,乡土生活的唯美展现,特别是诙谐幽默的语言风格,都使观众获得轻松愉悦的审美体验。第四部分是对赵本山乡村轻喜剧的文化内蕴分析。乡村轻喜剧中的文化内蕴包含人与自然关系、城乡关系的流变,也正是原始主义的浪潮使得人们落叶归“根”。另外,赵本山的乡村轻喜剧具有浓郁的关东风情,通过幽默诙谐的东北方言和二人转渲染了东北的地域文化色彩。第五部分指出赵本山乡村轻喜剧的明显缺失,提出了对乡村轻喜剧的期待。由于对乡村理想化的构建,赵本山乡村轻喜剧中对现实的批判性不足,人物类型化,小品化戏谑的表演方式等等,这些都是在今后的乡村轻喜剧创作中应该注意的问题。更多还原

【Abstract】 Since the 21st century, on television field, rural subjects reflecting the "three rural issues" is increasing with the attention of Chinese government to the "three rural issues" and new rural construction. The northeast China’s light comedies created by Zhao Benshan become one of culture focus in Chinese society. These light comedies not only are liked by rural people but also make the city people emotional resonance and arouse their local consciousness, which bring winds with sweet earth to screen. The paper takes rural light comedies created by Zhao Benshan as the research objects to explore their text features and cultural significance.This thesis will analyze the reasons of the hot broadcast by interpreting the text and the cultural connotations and aesthetic features. And in the same time, find out its insufficiency.This thesis includes five parts. The first part is about the research background, present situation and the content, methods and innovation.The second part cardings the development of Chinese rural light comedies in different periods, summarizes the creation of Zhao Benshan’s rural light comedies, and indicates that the popular of rural light comedies is related to Chinese culture nostalgia for hometown,especiallyin the wave of modern urbanization.Chinese native’s tr aditional nostalgia for hometown is easy to be touched, which usually causes intimacy for native land.The third part is the analysis of text of the Zhao Benshan’s rural light comedies. Three aspects will be analyzed deeply:the construction of the topic, characters and artistic form. All the Zhao Benshan’s rural light comedies are about the current life of people and aim to improve self-confidence of peasants and create new images of them. In addition, the comic situations and the wonderful life of country life, especially the humorous style of language will help the audience to achieve more aesthetical experience.The forth part is about the analysis of the cultural connotations of Zhao Benshan’s rural light comedies. The main content is the relationships between human and nature, the difference and development between cities and countries. And the belief that it is best to live simply and in a natural environment helps people to come back to their hometown. One thing to be mentioned is that there is a unique custom art form and humorous dialect of northeast China.The fifth part is about the insufficient aspects of Zhao Benshan’s rural light comedies. This is a lack of critical thinking about the real life in the rural comedies, and the pattern of the characters and the performing way still need improving.更多还原