【作者】 姬春涛；

【导师】 宋琳；

【作者基本信息】 沈阳师范大学 ， 中国现当代文学， 2011， 硕士

【摘要】 诗坛又提及了古代汉诗和现代汉诗、传统与现代的关系问题,但仍处于二元对立的思维方式和主流诗坛为唯一视角之中,没有取得应有的进展。而拒绝当下各方面胁迫的赵野及其诗集《逝者如斯》或者能给予我们启示或新的结论,我就赵野处理当下与传统方面的经验展开论述。本论文共分五个部分,首先是序言,简单介绍第三代的命名,第三代诗人的反崇高、反文化、反英雄、反语言等反叛性,以了解第三代整体创作的概况和诗学追求,进而对赵野进行了简单介绍,以了解其内倾的个性。第一章阐明赵野的诗学立场,面对当下对加速度的追求和线性时间形式的追赶,赵野拒绝时尚,书写缓慢的诗歌,自甘于边缘位置；面对当今诗坛蹂躏语言,各诗人部落以各种名号将汉语弄得面目全非,赵野在追求语言之美,将古典汉语和现代汉语进行了完美结合,将纯洁的语言战争进行到骨头深处。第二章当下性和历史性,主要从精神层面来研究赵野的融汇古今的特点。隐者的情怀阐述其人生对天人合一境界的追求,对商业文化和意识形态的双重压迫的拒绝；宿命的超越阐述赵野的诗歌内容,即对存在的体验和思考,对生命的叩问,其诗歌拒绝具体事件和历史事件,因而带有一种哲学的意味和深度；真挚的感动阐明赵野诗歌的情感内容和动人心怀的力量及美学效果,因为感动而作诗,而不是为了玄耀或追赶时尚,赵野在抒写着人类普遍的情感。第三章诗歌技巧和风格,从艺术的层面来探讨赵野的美学追求、诗学观念和对古典的继承与创新,古语的运用,将古汉语放到一个合适的位置并将其激活；典故的运用,暗化古典诗歌意境,使诗歌有了多重阅读的可能性；意象纯洁,多自然物象使诗歌古香古色；舒缓优美的节奏；结构,继承和发展的双重贡献。第四章赵野诗学意义,另一种时间形式,赵野以自己的诗歌唤回另一种时间形式,循环的时间,泥土的时间,中华民族古老的时间形式,也唤回诗歌本质的意义,对失去的美好事物的回返并使之重现；汉语特质与传统的思考,赵野对汉语特质的独特认领和运用,创作出质朴深沉的文本,启示了现代与传统的对话关系,而不是对抗或胁迫的关系,传统可以从容地走进现代,现代可以大度地接纳传统。最后是结语,赵野在内在气质上与中国古代的文化和先贤有一种天然的契合,古人的生活方式,情感态度,认知方式感染着赵野并他的诗文,赵野也以回忆的方式叩问历史,和古人共同感受生命,赵野对古典诗文的创作方法多有借用,从中提取现代抒情因素,创造了今天的古典抒情模式。更多还原

【Abstract】 Ancient Chinese poetry and referred relations and modern Chinese poetry, the relationship between traditional and modern, but still in the binary opposition of thinking and unique perspective into the mainstream of poetry, should have not made progress. Refused to present various aspects of stress and the collection of poems, Zhao Ye, "lost time is never" or give us inspiration and new conclusions. Zhao Ye I handle the traditional aspects of the experience of the present to start discussion, the thesis is divided into five parts, the first, the preamble, the naming of a brief third-generation, third generation anti-noble poet, anti-culture anti-hero, anti-language rebellion, to understand the profile of the third generation of the whole creation and the pursuit of poetry, and then carried out on wild Zhao brief introduction to understand the personality of their introversion. Zhao second part the position of wild poetry, the pursuit of the face of current and linear acceleration time in the form of the chase, Zhao Ye refused to fashion, writing poetry slowly, from its periphery; the face of today’s poetry torn language, the poet tribal name to a variety of confused faces all non-Chinese, Zhao wild in the pursuit of the beauty of language, classical Chinese and were the perfect combination of modern Chinese, will be the pure language of the depths of total war to the bone. The third part of the current and historical, spiritual level, mainly from the wild to study the fusion of ancient and modern Zhao features. Feelings described hermit pursuit of Heaven in their life, business and ideology must resist the double oppression; Zhao Ye described the fate of poetry beyond the contents of the existing experience and thinking, Inquiries to life, refusing specific events and historical events, which means that with a philosophy and depth; sincere Zhao Ye moved to clarify the emotional content of poetry and the power of moving hearts and aesthetic effect, since moved to write poetry, not mysterious or fashion Yao, Zhao Ye in Writing the universal human emotion. The third part of the poetic techniques and styles, from an artistic dimension to the pursuit of the aesthetic Zhao Ye, poetics, and on the classical concept of inheritance and innovation. The use of the old saying, the ancient Chinese into a suitable location and its activation; allusions, the dark mood of classical poetry, the poetry reading with multiple possibilities; image of pure, natural images to make poetry more ancient style; lyricism rhythm;structure, which contributes to both inheritance and development. Zhao Ye poetry back to the fourth part of the meaning. Another form of time, Zhao wild with their own form of poetry recall another time, cycle time, earth time, the ancient Chinese form of time, and reclaim the essence of the meaning of poetry, the loss of the return of the good things and so that to reproduce; material and the traditional Chinese thinking, Zhao Ye Han claim and use the unique quality, to create a simple deep text, reveals the dialogue between modern and traditional, rather than confrontation or coercion in the relationship, the traditional could easily went into the modern, the modern tradition can be accepted magnanimously. Part V Conclusion, Zhao Ye, including temperament and the culture arid sages of ancient China, there is a natural fit, the ancient way of life, emotional attitudes, cognitive style, and his infection with the poetry Zhao Ye Zhao Ye also recall Inquiries way of history, and ancient together by life, Zhao Ye of ancient poems are creative ways to borrow more, to extract the modern lyric, create a model of today’s classical lyric, buried under the snow flame.更多还原