【作者】 王世锋；

【导师】 徐妍；

【作者基本信息】 中国海洋大学 ， 中国现当代文学， 2010， 硕士

【摘要】 近年来,茅盾文学奖研究逐渐成为当代文学界的前沿热点问题之一。本论文以茅盾文学奖作为研究对象,通过对茅盾文学奖所具有的一个显在的特征——“主旋律”意识的考察,来探讨茅盾文学奖与“主旋律”意识之间的内在关联,并阐述在不同的时代和文化背景下,茅盾文学奖“主旋律”意识所呈现出的复杂样貌和变化。通过对茅盾文学奖“主旋律”意识的研究,可以进一步思考“主旋律”意识是如何通过不断地调整和变化,来适应和契合不断发展着的文学主潮,实现对文学发展的引导和自身话语权的强化的。本论文主要运用了发生学和文本研究的方法,为了论题的相对集中,在对茅盾文学奖的考察中,主要选取有代表性和典型性的事件和作品进行考察,综合运用了整体概括、归纳分类等方法,对研究对象进行了比较深入的探讨。论文主要分为茅盾文学奖的生成层面研究和获奖作品的本体研究。第一章主要考察了茅盾文学奖与“主旋律”意识之间天然的生成关系。对“主旋律”进行语境考源,可以发现,“主旋律”事实上是新时期以来主流意识的一种新的叙述策略,它一贯的审美价值取向成为茅盾文学奖具体运作的指针。另外,茅盾文学奖这一文学评奖被高度“体制化”,也鲜明地反映出其本身具有的强烈的主流意识形态色彩。对茅盾文学奖自身的构建体制进行考察,主要从组织机制、物质载体、以及长篇小说在茅盾文学奖倡导“主旋律”方面所发挥的积极作用等方面切入,论述了茅盾文学奖一方面经由“主旋律”意识强化,另一方面,也对文学场域“主旋律”的强化起到了重要的推动作用。第二章主要论述了茅盾文学奖“主旋律”意识的变化。80年代以来,尽管文学思潮趋于多元,但在共同的时代“主题”的感召下,主流意识形态获得了社会的普遍认同,呈现出“显在”的特征。投射在茅盾文学奖中,则表现为获奖作品审美风格和创作手法的相对统一。90年代之后,由于大众文化的兴起,文学话语权遭到重新分割,主流意识的控制力趋于“弱化”。在这一背景下,“主旋律”意识及时地进行了调整,以一种“宽泛化”的积极姿态,对“异质”因素进行了收编,以某种“妥协”达到了强化的目的。第三章主要涉及茅盾文学奖“主旋律”意识下方法论的规约与调适。通过对历届茅盾文学奖的考察,从总体上表现“主旋律”意识在茅盾文学奖中的发展走向。对特定题材、现实主义审美的青睐是制约和形成茅盾文学奖“主旋律”意识的重要条件,而对现代表现手法的借鉴和与大众化审美的通联,使得茅盾文学奖“主旋律”意识进一步复杂化。虽然目前对茅盾文学奖的研究成果比较多,’但从其具有的“主旋律”意识这一角度进行论述的却并不多见。本论文力求用文学史的目光,结合时代文化背景,对茅盾文学奖“主旋律”意识的复杂性进行深入的探讨,以期在这一研究领域做出一些推进性的工作。更多还原

【Abstract】 In recent years, the Mao Dun prize in literature research gradually becomes one of contemporary literary world front hot topics. The paper studies the Mao Dun prize in literature, and discusses intrinsic connection between the Mao Dun prize in literature and "the main melody" consciousness through inspection of "the main melody" consciousness which is one of obvious characteristics of the Mao Dun prize in literature. Also, this paper elaborates complex appearances and changes of "the main melody" consciousness of the Mao Dun prize in literature under different times and cultural contexts.It can ponder how "the main melody" consciousness unceasingly adjusts to adapt and agree with main trend of literature which develops constantly, through research of "the main melody" consciousness of the Mao Dun prize in literature research, and then to realize the literature development guidance and own words power strengthening.The paper has mainly utilized embryology and text research method. For relative centralism of thesis, it selects representative and typical events and works to inspect the Mao Dun prize in literature. Simultaneously, it carries on the quite thorough discussion to the object of study through overall summary, induction and classification.The paper is divided into production stratification plane research on the Mao Dun the prize in literature and body research on awarded works.The first chapter studies natural production relations between the Mao Dun prize in literature and "the main melody" consciousness. From linguistic environment point of view, "the main melody" in fact has been one kind of new narration strategies of mainstream consciousness since the new time and its consistent esthetic orientation becomes concrete indicator of the Mao Dun prize in literature. Moreover, the Mao Dun prize in literature has been highly institutionalized, which distinctively reflects intense mainstream ideology color. Though organization mechanism, material carrier as well as positive role of novel in which the Mao Dun prize in literature proposes "the main melody", this paper elaborates two sides:one, the Mao Dun prize in literature is consciousness to strengthened by "the main melody"; two, it promotes "main melody" in literature field.The second chapter mainly elaborates changes of "the main melody" consciousness of the Mao Dun prize in literature change. Since the 1980s, the mainstream ideology has obtained society’s general acceptance and becomes increasingly obvious, although there are multiple literature ideological trends. And about the Mao Dun prize in literature, it displays relative unification of esthetic style of awarded works and the creation technique. After the 1990s, the literature words power encounters separation because of mass culture’s rise, the mainstream consciousness’s controlling force tends weakened. Under this background, "the main melody" consciousness adjusts without delay, incorporates "heterogenic" factors by "broad" ways.The third one primarily involves rule and adjustment of methodology of "the main melody" consciousness of the Mao Dun prize in literature. This chapter generally shows development trend of "the main melody" consciousness in the Mao Dun prize in literature through analysis of all previous Mao Dun prize in literature. The specific theme and the realism esthetic principle are important conditions of restricting and forming "the main melody" consciousness of the Mao Dun prize in literature. However, it complicates "the main melody" consciousness of the Mao Dun prize in literature by means of reference to modern expression means and communication with the popular esthetics.It is rare to describe the Mao Dun prize in literature from "the main melody" point of view, although research of the Mao Dun prize in literature is numerous. The paper discusses complication of "the main melody" consciousness of the Mao Dun prize in literature, and thus makes some contributed work in this area with vision of literature history and with contemporary cultural context.更多还原