【作者】 洪艳；

【导师】 王朝元；

【作者基本信息】 广西师范大学 ， 美学， 2007， 硕士

【摘要】 舞蹈是人类创造的较早的艺术形式之一,它的产生源于人类发现身体之能动性、美感的一种欣喜和疯狂。舞蹈由于其形式上的特殊性,也较早的与宗教中的巫术结下不解之缘,人们通过身体的舞蹈沟通了人神,也实现了舞蹈的进一步发展成熟。而人的身体作为舞蹈的最重要的媒介,一直承担着极为重要的作用;身体在舞蹈中的不同方式的运用促动了舞蹈史的不断发展进步。同时,舞蹈的身体经由舞蹈的雕凿变得更具备形式美的价值,使得人类不断的审视自身的身体存在的形式、意义和权力。舞蹈作为人类精神文化范畴的一个艺术门类,它忠诚地显现着人类生存的状态和自我完善的途径。由于艺术存在相通性,现代的许多艺术门类和舞蹈一样正发生着日新月异的变革,但这些变革不该将其视为历史的倒退和艺术的沉沦,静心观之,理解必然。故而论文的主体分成四部分进行论述。第一部分“身体——舞蹈与宗教结缘的纽带”,主要从早期巫术入手引发出对舞蹈艺术的创作媒介——身体的认识。第二部分“舞蹈对于身体探求自身和谐的启示”,依据舞蹈对于身体塑造的要求及受舞蹈规范过的身体二者之间的关系来探求身体在舞蹈艺术及美学研究中的重要性。第三部分“舞蹈的救赎——身心的回归”,从现代人的生存状态中认识到人类通过舞蹈艺术对于身体的认识过程及运用过程,同时,对苏珊·朗格的“舞蹈是虚幻的力的意象”进行分析与阐释。第四部分“舞蹈变革引发的艺术与生活的思考”,从包括舞蹈在內的现代艺术创作的角度和反映内容上对于身体的运用程度和思考角度上分析艺术的发展和思考。更多还原

【Abstract】 The dance is one of earlier artistic forms which the human creates, it production source to the initiative comes from the human’s body was found and the esthetic sense the body one kind joyful and its crazy. Dance because its form particularity, also because earlier has the indissoluble bond in the religious witchery, people have linked up the person and god through the body dance, and realized the dance further development to be mature. But person’s body as the dance the most import media, it is continuously undertaking the extremely vital role; body has actuated the dance history unceasing development and progress in dance different way utilization. Meanwhile, body through dance make the dances are many more formal beauty with the value constantly look at the human body makes its own form of existence, meaning and power.Dance as a human and cultural aspects of the arts categories, demonstrate its loyalty to the state of human existence and the means of self-improvement. Because the artistic existence its interlinked, dance likes the many different modern art rapid changes are taking place, However, these changes should not be seen as a historical regression, and the decline of art, calmly thought, understanding inevitable. Therefore the paper is divided into four main parts exposition. First chapter "the body -- dance and religious’ties." mainly obtain from the early witchcraft initiates to dances artistic the creation medium - body understanding. Second chapter "to explore their own physical harmony inspiration for the dance." dance based on the requirements for the physical shape of the body and by regulating dance to explore the relationship between the two bodies in the art of dance and the importance of aesthetics. Third chapter "dance’s redeems - the body and mind return", from modern people’s survival condition realized to the humanity through the dance regarding the body understanding process and the utilization process, simultaneously, "dance is the unreal strength image" carries on the analysis and the explanation to the Susan Langer. Fourth chapter "dance transformation initiation art and the life ponder ", the angle from dance to the modern art’s creation and the reflection content analyzes art regarding in the body utilization degree and the development and the ponder.更多还原