【摘要】 现代城市空间生产的资本逻辑与政治性,使得空间非正义问题在全球化背景下贯穿城市化的历史与当前,并且将无可避免地向未来延续,也成为城市批判话语的重要视域。而科幻关于未来城市的想象,还通过技术维度凸显此问题,并与现实城市之间形成互文和张力。科幻电影以技术想象来进行城市景观生产,从而对空间生产中的非正义问题进行激进表征,并通过反抗叙事来展示空间政治斗争的路径。以《大都会》《极乐空间》《雪国列车》等科幻电影为例,它们分别通过纵向对立、漂移隔离、横向浓缩等激进技术景观生产,来直接展示未来空间非正义的科幻城市形态。而这些科幻电影遵循文化消费逻辑的景观生产和反抗叙事,虽然蕴含着不同的话语策略,但都呈现出以二元对立为模式,从而将空间非正义及其反抗简单化的倾向。更多还原

【Abstract】 The problem of spatial injustice runs through the history and current of urbanization under the background of globalization due to the capital logic and political nature of modern urban space production,and will continue to the future inevitably to become an important perspective of urban critical discourse. And the imagination of future cities in science fictions highlights this problem through the dimension of technology,and forms intertextuality and tension with the real cities. By the way of technological imagination in science fiction,the radical production of urban spectacles and representation of spatial injustice lead to the revolt narrative to show the path of space political struggle. This paper takes works such Metropolis,Elysium,and Snowpiercer as examples,which represent the spatial injustice in future in sci-fi cities directly by radical production of technological spectacles include vertical opposition,drift isolation,horizontal concentration and others,and which then launch different patterns of revolt narratives and discourse strategies. But by following the logic of cultural consumption,these works tend to simplify the spatial injustice and the resistance to it by taking binary opposition as the model.更多还原