【摘要】 电影受众学相对于电影导演学而存在,电影受众的阅读习惯、审美趋势等因素直接受制于导演的表达,作为电影受众,本身拥有自身的娱乐哲学,可以把自己的意见和感悟反馈到导演那里,受众本身是相对于导演而存在的。大众文化背景下的受众是很具有生产力的,电影要力争与受众的心理吻合,满足受众娱乐的期待视野。电影是为了满足受众需要,是为了给那些走进电影院的受众提供逃避或释放狂欢的方式,感情宣泄所能带来的快感,可能是最好的舒缓方式,受众暂时忘记了影院外严酷的社会现实,在影院内与大家一起经历一次心灵的狂欢。在受众狂欢之时,代表当前华语电影的受众文化并非与精英文化友善对话,前者和后者展开冲突,并且在某种意义上获得胜利开始了"殖民"。更多还原

【Abstract】 Movie audience discipline coexists relatively to film director discipline.The reading habits and aesthetic trend of movie audience are affected by the expression of the directors.Having their own entertainment philosophy,movie audiences can send opinions and comprehensive feedbacks to the directors.Movie audiences themselves coexisted relatively to film directors and they are productive under popular culture background.Films should cater the emotions of the audiences,satisfy the audiences’ expectation of entertainment.Films are supposed to meet the needs of the audiences,to provide get-away or wild excitement for those who walk into the movie theater.The pleasant sensation induced by letting-out emotion is probably the best way of relaxation.The audiences temporarily forget the harsh social reality of the outside,experience the excitement with other folks.In the carnival of the audiences,the audiences’ culture,which represents the current Chinese movies,does not get along well with the elite culture.The audiences’ culture and the elite culture are in confrontation and the former,to some extent,defeat the later and begin to have "colonization".更多还原